Yogesh Snehi,在旁遮普空间化流行的苏菲神殿:梦,记忆,领土

Swayamshree Mishra
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引用次数: 0

摘要

这本书总体上充满了有趣和原创的想法和方法,并为探索种姓,劳工,表演,边缘和印度表演艺术领域及其研究人员开辟了令人振奋的新途径。对美学的关注以及对厌恶、污染、淫秽和内脏等方面的建设性和积极的探索是最具启发性和重要的贡献,还有关于历史编纂的章节。然而,与此同时,这本书也因为过度理论化、错综复杂和缺乏充分的民族志参与而令人失望。它是诱人的,令人耳目一新的,令人兴奋的,但在执行方面也没有提供在基本主题,领域,框架和研究水平中存在的潜力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Yogesh Snehi, Spatializing Popular Sufi Shrines in Punjab: Dreams, Memories, Territoriality
The book overall is packed full of interesting and original ideas and approaches, and lays open invigorating new avenues to explore caste, labour, performance, marginality and the field of performing arts in India and its researchers. The focus on aesthetics and the constructive and positive exploration of aspects such as disgust, pollution, obscenity and viscerality are some of the most illuminating and important contributions, as well as the chapter on historiography. However, at the same time, the book is let down by over-theorisation, convolutedness and a lack of adequate ethnographic engagement. It is tantalising, refreshing and stimulating, but also does not deliver in terms of its execution to the potential that exists in the basic topic, field, framework and level of study undertaken.
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