{"title":"弦乐四重奏的声音同质性:不同的可能方法","authors":"Adonhiran Reis, Emerson de Biaggi","doi":"10.22533/AT.ED.84919120713","DOIUrl":null,"url":null,"abstract":"The present work has as main objective to analyze the two main approaches in the construction of the sound conception of a string quartet; either through the pursuit of a unique identity, through a similar sonority and similar technical means of sound production, or through a summation of four different personalities submitted to a greater musical purpose. With this purpose, we examine the literature on this subject, the experiences of renowned groups and the solutions employed by them.","PeriodicalId":217190,"journal":{"name":"Música: Circunstâncias Naturais e Sociais","volume":"119 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-07-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A HOMOGENEIDADE SONORA NO QUARTETO DE CORDAS: DIFERENTES ENFOQUES POSSÍVEIS\",\"authors\":\"Adonhiran Reis, Emerson de Biaggi\",\"doi\":\"10.22533/AT.ED.84919120713\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The present work has as main objective to analyze the two main approaches in the construction of the sound conception of a string quartet; either through the pursuit of a unique identity, through a similar sonority and similar technical means of sound production, or through a summation of four different personalities submitted to a greater musical purpose. With this purpose, we examine the literature on this subject, the experiences of renowned groups and the solutions employed by them.\",\"PeriodicalId\":217190,\"journal\":{\"name\":\"Música: Circunstâncias Naturais e Sociais\",\"volume\":\"119 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-07-12\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Música: Circunstâncias Naturais e Sociais\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.22533/AT.ED.84919120713\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Música: Circunstâncias Naturais e Sociais","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.22533/AT.ED.84919120713","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
A HOMOGENEIDADE SONORA NO QUARTETO DE CORDAS: DIFERENTES ENFOQUES POSSÍVEIS
The present work has as main objective to analyze the two main approaches in the construction of the sound conception of a string quartet; either through the pursuit of a unique identity, through a similar sonority and similar technical means of sound production, or through a summation of four different personalities submitted to a greater musical purpose. With this purpose, we examine the literature on this subject, the experiences of renowned groups and the solutions employed by them.
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