塔拉斯舍甫琴科的故事“艺术家”中的古董主题

S. I. Dyachenko
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引用次数: 0

摘要

本文分析了塔拉斯·舍甫琴科的小说《艺术家》中人物的名字、形象和概念的运用。研究中选择的故事,以及作者的其他散文作品,证明了他们对作者在希腊和古罗马文化和文学史上的透彻了解,熟练地使用某些情节,古代人物来刻画个人,他们的个人品质,或者当大师作为受过高等教育的艺术史学家告诉读者世界级艺术家的优秀艺术作品或其他类似的情况。按照他的许多朋友,特别是杰出的古典主义画家,辉煌的仪式肖像大师K. Bryullov的明智指导,T.舍甫琴科深入研究了古代历史学家,哲学家和诗人的作品,研究了欧洲语言,在大多数情况下,他使用圣经,古希腊和罗马历史的主题为他的绘画和艺术作品。乌克兰艺术家的古老主题首先在绘画中形成,后来或平行-在他的创作生涯中伴随着文字。作者意识到古代和生活现象,通过自己的艺术视野的棱镜再现它们;它在故事类小说中表现得尤为出色。舍甫琴科生活在他笔下人物的内心世界里,研究并运用了一系列的感情和经验,通过这些感情和经验,他展示了新的、更有意义的艺术表现手段。在“艺术家”这个故事中,作者使用了大量的古色古香的形象,这些形象与一个年轻艺术家的命运故事的直接艺术功能有关,他在很短的时间内从一个“穿着破旧油腻长袍”的学徒变成了一个潮流的引领者。作者将这位年轻的画家从农奴制中解脱出来一直描写到生命的最后几天。在这个故事中,年轻的艺术家克服了各种困难,痛苦,找到了发展创造力的力量和智慧,同时他表达了对朋友,老师,导师的尊重和服从。这位作家带领他的年轻艺术家经历了许多不同的情况,同时也展示了古代世界伟大的文化重要性。在他的故事“艺术家”T.舍甫琴科揭示了希腊古代迷人而独特的世界,向读者展示了他所宣称的大量理想。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
ANTIQUE TOPOS IN A STORY “AN ARTIST” BY TARAS SHEVCHENKO
The article analyzes the use of individual names, images and concepts from the great ancient heritage in the story "The Artist" by Taras Shevchenko. The tale selected for the study, as well as other prose works of the writer, testified a thorough knowledge of their author in the history of Greek and ancient Roman culture and literature, skillful use of certain plots, characters from ancient times to characterize individuals, their personal qualities, or when the master as a highly educated art historian has told readers about fine art works by world-class artists or in other similar situations. Following the wise instructions of many of his friends, particularly the outstanding classicist painter, brilliant master of ceremonial portrait K. Bryullov, T. Shevchenko thoroughly researched the works of ancient historians, philosophers and poets, studied European languages, and in most cases he used topics from Bible, ancient Greek and Roman history for his paintings and art works. The ancient topos of the Ukrainian artist were formed first in painting, and later or in parallel - in words that accompanied throughout his creative career. Realizing ancient and life phenomenon, the writer has reproduced them through the prism of his own artistic vision; it is especially masterful in the tale genre. T.Shevchenko lived the inner life of his characters, worked out and applied a whole range of feelings and experiences, through which he resorted to demonstration of new and more significant means of artistic expression. In the story "The Artist" the author employed a lot of antique images that are connected with the direct artistic function of the story of the fate of a young artist, who in a short period of life turned from an apprentice "in a shabby greasy robe" into a trendsetter. The writer depicted the young author of paintings practically from the time of his redemption from serfdom until the last days of his life. In this tale the young artist overcame various difficulties, sufferings, found the strength and cleverness to develop creativity, at the same time he expressed respect and obedience to friends, teachers, mentors. The writer was leading his young artist through a number of different situations and simultaneously was presenting the great cultural importance of the ancient world. In his story "The Artist" T. Shevchenko revealed the fascinating and unique world of Hellenic antiquity, presented to the reader a great number of the ideals that he professed.
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