Sabrina Moro, G. Sapio, Charlotte Buisson, Noémie Trovato, Zoé Duchamp
{"title":"在#MeToo运动中被听到","authors":"Sabrina Moro, G. Sapio, Charlotte Buisson, Noémie Trovato, Zoé Duchamp","doi":"10.3898/soun.83.06.2023","DOIUrl":null,"url":null,"abstract":"Abstract:The Johnny Depp v. Amber Heard defamation trial constitutes what Sarah Banet-Weiser (2018) calls a 'feminist flashpoint': it has become a media event that facilitates and shapes discourses around gender-based violence in the public sphere. The cultural significance of the social media commentaries on the trial is threefold. First, the sheer volume of media traffic turns sexual violence into a media spectacle. Second, commentary featured discussion of domestic violence and situated it within the legacies of #MeToo. Thirdly, the stark divide between Depp and Heard supporters reveals shifts in cultural understandings of sexual violence since #MeToo but also a backlash against the movement. Cultural understandings of gender-based violence and feminism, popularised by #MeToo, are acknowledged, but the same digital tools that enable online feminist activism are mobilised in the backlash. The authors explore the re-activation of the myth of the 'ideal victim'; Heard's resistance to dominant representations of the passive victim; and the 'memeification' of Heard (Valenti 2022) as a form of gendered surveillance and policing. The trial exemplifies a new iteration of postfeminism, one that acknowledges the cultural and political significance of #MeToo yet upholds the same rape myths that were previously criticised.","PeriodicalId":403400,"journal":{"name":"Soundings: a journal of politics and culture","volume":"19 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"To be Heard through the #MeToo backlash\",\"authors\":\"Sabrina Moro, G. Sapio, Charlotte Buisson, Noémie Trovato, Zoé Duchamp\",\"doi\":\"10.3898/soun.83.06.2023\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:The Johnny Depp v. Amber Heard defamation trial constitutes what Sarah Banet-Weiser (2018) calls a 'feminist flashpoint': it has become a media event that facilitates and shapes discourses around gender-based violence in the public sphere. The cultural significance of the social media commentaries on the trial is threefold. First, the sheer volume of media traffic turns sexual violence into a media spectacle. Second, commentary featured discussion of domestic violence and situated it within the legacies of #MeToo. Thirdly, the stark divide between Depp and Heard supporters reveals shifts in cultural understandings of sexual violence since #MeToo but also a backlash against the movement. Cultural understandings of gender-based violence and feminism, popularised by #MeToo, are acknowledged, but the same digital tools that enable online feminist activism are mobilised in the backlash. The authors explore the re-activation of the myth of the 'ideal victim'; Heard's resistance to dominant representations of the passive victim; and the 'memeification' of Heard (Valenti 2022) as a form of gendered surveillance and policing. The trial exemplifies a new iteration of postfeminism, one that acknowledges the cultural and political significance of #MeToo yet upholds the same rape myths that were previously criticised.\",\"PeriodicalId\":403400,\"journal\":{\"name\":\"Soundings: a journal of politics and culture\",\"volume\":\"19 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-05-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Soundings: a journal of politics and culture\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3898/soun.83.06.2023\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Soundings: a journal of politics and culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3898/soun.83.06.2023","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Abstract:The Johnny Depp v. Amber Heard defamation trial constitutes what Sarah Banet-Weiser (2018) calls a 'feminist flashpoint': it has become a media event that facilitates and shapes discourses around gender-based violence in the public sphere. The cultural significance of the social media commentaries on the trial is threefold. First, the sheer volume of media traffic turns sexual violence into a media spectacle. Second, commentary featured discussion of domestic violence and situated it within the legacies of #MeToo. Thirdly, the stark divide between Depp and Heard supporters reveals shifts in cultural understandings of sexual violence since #MeToo but also a backlash against the movement. Cultural understandings of gender-based violence and feminism, popularised by #MeToo, are acknowledged, but the same digital tools that enable online feminist activism are mobilised in the backlash. The authors explore the re-activation of the myth of the 'ideal victim'; Heard's resistance to dominant representations of the passive victim; and the 'memeification' of Heard (Valenti 2022) as a form of gendered surveillance and policing. The trial exemplifies a new iteration of postfeminism, one that acknowledges the cultural and political significance of #MeToo yet upholds the same rape myths that were previously criticised.