{"title":"玛丽·诺德林格和宾一家","authors":"G. Weisberg","doi":"10.1163/24054992-06020004","DOIUrl":null,"url":null,"abstract":"\nThe essay traces the role of Marie Nordlinger (1876-1961) against her ties with Siegfried Bing, Marcel Bing, Marcel Proust and Charles Lang Freer. Nordlinger first worked in the ateliers of art nouveau later becoming a confidante of the Bings who helped sell Japanese prints in the United States especially to Charles Lang Freer when she visited the country.","PeriodicalId":436254,"journal":{"name":"Journal of Japonisme","volume":"26 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-08-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Marie Nordlinger and the Bings\",\"authors\":\"G. Weisberg\",\"doi\":\"10.1163/24054992-06020004\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\nThe essay traces the role of Marie Nordlinger (1876-1961) against her ties with Siegfried Bing, Marcel Bing, Marcel Proust and Charles Lang Freer. Nordlinger first worked in the ateliers of art nouveau later becoming a confidante of the Bings who helped sell Japanese prints in the United States especially to Charles Lang Freer when she visited the country.\",\"PeriodicalId\":436254,\"journal\":{\"name\":\"Journal of Japonisme\",\"volume\":\"26 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-08-26\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Japonisme\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1163/24054992-06020004\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Japonisme","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/24054992-06020004","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
这篇文章追溯了玛丽·诺德林格(1876-1961)在她与齐格弗里德·宾、马塞尔·宾、马塞尔·普鲁斯特和查尔斯·朗·弗里尔的关系中所扮演的角色。诺德林格最初在新艺术派的画室工作，后来成为宾家的密友，帮助把日本版画卖到美国，尤其是当她访问美国时卖给了查尔斯·朗·弗里尔(Charles Lang Freer)。
The essay traces the role of Marie Nordlinger (1876-1961) against her ties with Siegfried Bing, Marcel Bing, Marcel Proust and Charles Lang Freer. Nordlinger first worked in the ateliers of art nouveau later becoming a confidante of the Bings who helped sell Japanese prints in the United States especially to Charles Lang Freer when she visited the country.
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