《O》的三种翻译:几点思考与解释

Perspectives of New Music Pub Date : 2021-06-09 DOI:10.1353/pnm.2006.0011

M. Fowler

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引用次数: 0

摘要

一项研究试图在另一种翻译中捕捉本杰明·博雷兹的钢琴作品O，或者以另一种形式表达它，这种形式包含了同时表达多种体验的概念。《O》的翻译都是围绕着对原钢琴作品的乐句的分析而进行的，它被划分为22个乐句，并作为一首诗、一种空间声音扩散的图式和一种建筑形式呈现。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Three Translations of O: A Few Thoughts and Explanations

A study seeks to capture Benjamin Boretz's piano work O in another translation, or express it in another form that embraces the notion of multiple experiences expressed simultaneously. The translations of O are all built around an analysis of the phrasing of the original piano work, which is partitioned into twenty-two phrases and presented as a poem, a schema for spatial sound diffusion, and as an architectural form.

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来源期刊

Perspectives of New Music

CiteScore

0.40

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0.00%

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