走向死亡的诗学:比较与美学反思

Stefano Bottero
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引用次数: 0

摘要

本文旨在探讨死亡的基准与文学作品创作的审美语境之间的关系,进而探讨作者诗学的问题。从对文学和诗学“死亡”概念的深入研究开始,它将打算继续研究相关的哲学和关键问题,以提供对该主题最重要的见解的概述。由于比较和跨媒体的方法,话语将解决文学中的死亡理论,考虑在广义上最重要的当代批评建议。因此,将提出文学和电影案例研究,作为从理论角度对这一问题进行反思的一部分。与艺术作品的创作有关的本体论含义也将被考虑,为了加深,充分认识死亡的诗学和作品之间的关系,不仅是艺术和文学性质,而且是见证。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
TOWARDS A POETICS OF DEATH: COMPARATIVE AND AESTHETICAL REFLECTIONS
This article is proposed as a study on the issue of the relationship between the datum of death and the aesthetic context of the creation of a literary work, and therefore of authorial poetics. Starting with an in-depth study of the concept of literature and poetics ‘of death’, it will be intended to proceed with research on the related philosophical and critical issues, to provide an overview of the most important insights on the subject. Thanks to a comparative and transmedia approach, the discourse will be addressed to the theory of death in literature, considering in a broad sense the most significant contemporary critical proposals. Thus, literary and cinematographic case studies will be proposed, as part of a reflection on the issue from a theoretical point of view. The ontological implications relating to the creation of the work of art will also be considered, in order to deepen, with full awareness, the relationship between the poetics of death and works of a not only artistic and literary nature, but also the testimonial.
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