Etika Sari, Nanuk Rahayu
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摘要

歌剧《Timun Emas》是Jonet Sri Kuncoro在2016年Soeryo Soemirat舞蹈工作坊至34岁生日时执导的歌剧形式的舞蹈作品。本研究的问题是如何在刮擦的过程中以及歌剧蒂蒙·埃马斯是如何表演的。在考察对象的基础上,本研究采用定性的方法和过程的方法来研究和塑造。了解使用拉哈玉苏邦加思想的过程,包括驻军的材料,设施,家具,车库和工作。Suzane K. Langer用R. M . Soedarsono的观点来讨论形式问题。讨论的元素包括舞蹈动作、造型、化妆、时尚、舞蹈音乐、戏剧设计、主题、编舞、场地组合、舞台、灯光和活动安排。结果表明,歌剧《蒂门·埃玛斯》包含了歌剧舞剧的类型,其导演考虑到剧场、剧场、设施、家具等,而歌剧《蒂门·埃玛斯》的一行基本思路是关注一个孩子的世界民俗。由Soeryo Soemirat的学生描绘。歌剧蒂蒙·埃玛斯的形式可以从现有的舞蹈元素中看出,造型、化妆、服装、舞蹈音乐、戏剧设计、主题、舞美、舞台、灯光、活动导演等一组完整的统一体。关键词:歌剧,Garap,造型。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
BENTUK PERTUNJUKAN OPERA TIMUN EMAS KARYA JONET SRI KUNCORO
The Opera Timun Emas is an Opera-shaped dance work in Directed by Jonet Sri Kuncoro on birthday Soeryo Soemirat Dance Workshop to 34 in 2016. Problem in this research is how the process of scrattering and how Opera Timun Emas performances. Based on the object examined this research uses qualitative methods with a process approach to and shape. To know about the process of using the the thought of Rahayu Supanggah about the garrison covering the material, facilities, and furniture, and a garage, and a Working on. Discussing form issues using form concepts Suzane K. Langer which is explained by the opinion of R. M Soedarsono Discussing elements that include dance movements, formations, makeup, fashion, Dance music, dramatic design, theme, choreography group of places Staging, lighting, and arrangement of events. The results showed that the Opera Timun Emas includes in the genre of opera dance dramas, which are directed by In consideration of the garap, penggarap, facilities, furniture, and a line of Opera Timun Emas takes the basic idea of concern for a child’s world Folklore. Portrayed by the students of the Soeryo Soemirat. The Opera Timun Emas form can be seen from the existing elements Dance, formations, makeup, fashion, dance music, dramatic design, themes, the choreography of a group of staging, lighting, and The event was directed into a intact unity.Keywords: Opera, Garap, shape.
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