生态美学观。大流行后视角下的关系艺术与美学

Giacomo Fronzi
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引用次数: 0

摘要

在一个急迫性占主导地位的世界,一个每年7月就耗尽可再生资源配额的世界,艺术意味着什么?[au:] [2021]: 7;我的翻译)。气候危机(始于上个世纪,但近年来其后果越来越令人担忧)、2020年袭击地球的2019冠状病毒病大流行以及最近俄罗斯和乌克兰在欧洲心脏地带发生的冲突,都是划时代的现象,不可避免地重塑了人类社会的现在和未来。在这种情况下,艺术是受到质疑,还是相反,它是重新思考未来世界的必要工具?更具体地说,今天的公共艺术是一个失败的事业还是一个机会?在本文中,我将尝试将这些问题置于我们可能称之为生态美学的框架内,这与“关系”的范畴有着本质的联系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Eco-aesthetics. The art and aesthetics of relations from a post-pandemic perspective
«What does art mean in a world where urgency predominates, a world that now exhausts its annual quota of renewable resources in July?» (Bourriaud [2021]: 7; my translation). The climate crisis (which began in the last century, but whose consequences have become increasingly worrying in recent years), the Covid 19 pandemic that struck the planet in 2020 and the recent conflict between Russia and Ukraine in the heart of Europe are epoch-making phenomena that are inevitably reshaping the present and future of human societies. With respect to this situation, is art being called into question or, on the contrary, is it an essential tool for rethinking the world of tomorrow? More specifically, is public art today a lost cause or an opportunity? In this article, I will try to place these questions within the framework of what we might call eco-aesthetics, which has an essential connection to the category of “relations”.
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