从肮脏的思想到肮脏的电脑:王子对詹妮尔的深刻影响Monáe

Natalie Clifford
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引用次数: 0

摘要

我认为普林斯在他的第一个十年中奠定的基础为像Janelle Monáe这样的酷儿和性别扩张的黑人艺术家的成功奠定了基础。首先,我探讨了普林斯和Monáe是如何在他们各自的工作中突出性的积极性和愉悦感的。其次,我强调他们都相信艺术家有责任在政治上反映时代,正如尼娜·西蒙娜(Nina Simone)所说的那样。第三,我阐明了两位艺术家如何坚持通过反对种族资本主义的道路来引导社会,并展望我们如何共同建立一个更公正的世界。在第三部分,我将重点介绍adrienne maree brown的书《快乐行动主义:感觉良好的政治》。关于方法论,我分析了两位艺术家专辑中的歌词、意象和历史背景。这种跨学科的探索对批判性种族研究、媒体研究、性别和性研究领域的艺术家活动家以及任何致力于保护普林斯遗产的人都很有价值。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
From Dirty Mind to Dirty Computer: Prince’s Profound Influence on Janelle Monáe
I argue that the groundwork Prince laid in his first decade created a foundation for queer and gender expansive Black artists like Janelle Monáe to be successful. First, I explore how Prince and Monáe center sex positivity and pleasure in their respective work. Second, I highlight their shared belief in artists’ responsibility to reflect the times politically, as Nina Simone so famously stated. Third, I illuminate how both artists insist upon navigating society through pathways grounded in opposition to racial capitalism, with a vision of how we can collectively build a more just world. In this third section, I focus on adrienne maree brown’s book Pleasure Activism: The Politics of Feeling Good. Regarding methodology, I analyze lyrics, imagery, and historical context from both artists’ albums. This interdisciplinary exploration is valuable to artist-activists within critical race studies, media studies, gender and sexuality studies, and anyone dedicated to preserving the legacy of Prince.
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