培育创意文化

Leonard Springer
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引用次数: 0

摘要

设计已经发展成为一门综合性的学科,其核心领域(沟通、产品、空间、网络、服务)是其广泛成果的一小部分,已经扩展到专业知识领域。创造过程在很大程度上取决于先前获得的认知知识(社会文化和道德价值观)。这通常源于文化背景,它提供了视觉,听觉和动觉表现,需要设计师和最终用户的解释和理解。设计教育必须相应地适应和发展,在设计解决方案的开发中应用方法论和跨学科的方法,包括研究、艺术、材料、技术、过程和人类互动,强调理解而不是输出。全球文化和文化表达使得设计学校需要促进理解,鼓励学生提出问题并培养对广泛设计表现形式的认识,从而在不影响个人信仰的情况下解决各种主题。考虑到文明在用户和产品/服务方面受到文化互动的影响,这种学习和分享经验可以产生有意义的结果。根据特定的文化背景和不同的解释,这些作品被评估为好/坏、美/丑。文化意识的缺失损害了个人创造性思维的发展和相应的创新解决方案。问题在于,如何鼓励设计专业学生的创造力,许多人不知道他们的文化背景,从而克服对失败的恐惧,培养好奇心,应用研究方法,并参与讨论,培养对设计的关注。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Fostering a Creativity Culture
Design has evolved into a comprehensive discipline, its core areas (communication, product, spaces, web, service) are a fraction of its wide-ranging outcome which has expanded into specialized fields of knowledge. The creative process greatly depends on previously acquired cognitive knowledge (socio-cultural and moral values). This usually originates within a cultural context, that provides visual, audio, and kinaesthetic manifestations, requiring interpretations and understanding of both the designer and the end-user. Design education had to adapt and evolve accordingly, applying methodologies and encompassing a transdisciplinary approach involving research, art, materials, technology, processes, and human interactions in the development of design solutions, emphasizing understanding over output. Global culture and cultural expressions have created a need in design schools to foster understanding, encouraging students to ask questions and develop awareness of wide-ranging design manifestations, thus addressing a variety of subjects without prejudice of individual beliefs. This learning and sharing of experiences can produce meaningful results, considering that civilization is influenced by cultural interactions, regarding users and products/services. These are assessed as good/bad and beautiful/ugly, depending on specific cultural background and distinct interpretations. Cultural unawareness impairs individuals to develop creative thinking and accordingly innovative solutions. The issue presents itself, how to encourage creativity among design students, many unaware of their cultural background, thus overcoming the fear of failure, developing curiosity, applying research methodologies, and engaging in discussions that foster a mindfulness about design.
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