Music Perception Abilities of the Hearing Amplification System Users.

IF 1.1 Q3 OTORHINOLARYNGOLOGY
Sungmin Jo, Jiyeong Yun, Jeong-Sug Kyong, Yerim Shin, Jinsook Kim
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引用次数: 2

Abstract

Background and objectives: Recently, the improvement of music perception abilities for emotional stability and high quality of life has become important for the hearing loss group. This study aimed to examine and compare the music perception abilities of the normal hearing (NH) and hearing amplification system (HAS) groups to find the needs and methods of music rehabilitation. Subjects and.

Methods: The data were collected from 15 NH adults (33.1±11.4 years) and 15 HAS adults (38.7±13.4 years), of whom eight wore cochlear implant [CI] systems and seven wore CI and hearing aid systems depending on pitch, melody, rhythm, timbre, emotional reaction, and harmony perception tests. A mismatch negativity test was also conducted, and attitudes toward and satisfaction with listening to music were measured.

Results: The correction percentages for the NH and HAS groups were 94.0%±6.1% and 75.3%±23.2% in the pitch test; 94.0%±7.1% and 30.3%±25.9% in the melody test; 99.3%±1.8% and 94.0%± 7.6% in the rhythm test; 78.9%±41.8% and 64.4%±48.9% in the timbre test; 96.7%±10.4% and 81.7%±16.3% in the emotional reaction test; and 85.7%±14.1% and 58.4%±13.9% in the harmony test, respectively, showing statistical significance (p<0.05). For the mismatch negativity test, the area of the waveform was smaller in the HAS groups than in the NH groups, with 70 dB of stimulation showing no statistical significance. The response rates for satisfaction with listening to music were 80% and 93.3% for the NH and HAS groups, showing no statistical significance.

Conclusions: Although the HAS group showed lower music perception ability than the NH group overall, they showed a strong desire for music listening. Also, the HAS group revealed a higher degree of satisfaction even when listening to unfamiliar music played with unusual instruments. It is suggested that systematic and constant musical rehabilitation based on musical elements and different listening experiences will improve music perception qualities and abilities for HAS users.

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听力放大系统使用者的音乐感知能力。
背景与目的:近年来,提高音乐感知能力对稳定情绪和提高生活质量已成为听力损失人群的重要研究方向。本研究旨在通过对正常听力(NH)组和听力放大系统(HAS)组的音乐感知能力进行检测和比较,以寻找音乐康复的需求和方法。主题和。方法:收集15名NH成人(33.1±11.4岁)和15名HAS成人(38.7±13.4岁)的数据,根据音高、旋律、节奏、音色、情绪反应和和声感知测试,其中8名佩戴人工耳蜗[CI]系统,7名佩戴人工耳蜗和助听器。并进行错配负性测试,测量对音乐的态度和满意程度。结果:NH组和HAS组的音高校正率分别为94.0%±6.1%和75.3%±23.2%;旋律测试分别为94.0%±7.1%和30.3%±25.9%;节律试验分别为99.3%±1.8%和94.0%±7.6%;音色测试78.9%±41.8%和64.4%±48.9%;情绪反应测验96.7%±10.4%和81.7%±16.3%;和声测试分别为85.7%±14.1%和58.4%±13.9%,差异有统计学意义(p)结论:虽然HAS组整体的音乐感知能力低于NH组,但他们表现出强烈的音乐聆听欲望。此外,即使在听用不寻常的乐器演奏的不熟悉的音乐时,HAS组也表现出更高的满意度。建议基于音乐元素和不同聆听体验的系统、持续的音乐康复可以提高HAS用户的音乐感知素质和能力。
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来源期刊
Journal of Audiology and Otology
Journal of Audiology and Otology OTORHINOLARYNGOLOGY-
CiteScore
1.90
自引率
9.10%
发文量
20
期刊介绍: Journal of Audiology and Otology (JAO) (formerly known as Korean Journal of Audiology) aims to publish the most advanced findings for all aspects of the auditory and vestibular system and diseases of the ear using state-of-the-art techniques and analyses. The journal covers recent trends related to the topics of audiology, otology, and neurotology conducted by professionals, with the goal of providing better possible treatment to people of all ages, from infants to the elderly, who suffer from auditory and/or vestibular disorders and thus, improving their quality of life. This journal encourages the submission of review papers about current professional issues, research papers presenting a scientific base and clinical application, and case papers with unique reports or clinical trials. We also invite letters to the editor and papers related to the manufacture and distribution of medical devices. This journal provides integrated views from otologists, audiologists, and other healthcare practitioners, offering readers high quality scientific and clinical information. This peer-reviewed and open access journal has been the official journal of the Korean Audiological Society since 1997 and of both the Korean Audiological Society and the Korean Otological Society since 2017. It is published in English four times a year in January, April, July, and October.
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