{"title":"The Beatles’ Politics","authors":"Marcus Collins","doi":"10.1111/j.1467-856X.2012.00545.x","DOIUrl":null,"url":null,"abstract":"<p>\n </p><p>This article argues that the Beatles were instrumental in bringing together the hitherto divergent and mutually uncomprehending realms of politics and pop. Though not innovative political theorists, the Beatles were inventive political strategists who rehearsed virtually every technique subsequently used by politicised musicians. They practised consciousness-raising, lobbying, patronage, abstentionism and civil disobedience. They founded utopian institutions and considered the relative merits of anarchy, democracy and revolutionary socialism. The multitude of political strategies adopted by the Beatles testified to their difficulties in finding one congruent with their outlook and temperament. Furthermore, the anti-authoritarianism which formed the one consistent aspect of their political worldview was simplistic and their solutions were correspondingly unrealistic. They nevertheless did much to legitimise pop music as a means of political expression, to devise organisational structures to support such political activity and to politicise those who produced and consumed pop.</p>","PeriodicalId":51479,"journal":{"name":"British Journal of Politics & International Relations","volume":"16 2","pages":"291-309"},"PeriodicalIF":2.1000,"publicationDate":"2012-09-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/j.1467-856X.2012.00545.x","citationCount":"15","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"British Journal of Politics & International Relations","FirstCategoryId":"90","ListUrlMain":"https://onlinelibrary.wiley.com/doi/10.1111/j.1467-856X.2012.00545.x","RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"INTERNATIONAL RELATIONS","Score":null,"Total":0}
引用次数: 15
Abstract
This article argues that the Beatles were instrumental in bringing together the hitherto divergent and mutually uncomprehending realms of politics and pop. Though not innovative political theorists, the Beatles were inventive political strategists who rehearsed virtually every technique subsequently used by politicised musicians. They practised consciousness-raising, lobbying, patronage, abstentionism and civil disobedience. They founded utopian institutions and considered the relative merits of anarchy, democracy and revolutionary socialism. The multitude of political strategies adopted by the Beatles testified to their difficulties in finding one congruent with their outlook and temperament. Furthermore, the anti-authoritarianism which formed the one consistent aspect of their political worldview was simplistic and their solutions were correspondingly unrealistic. They nevertheless did much to legitimise pop music as a means of political expression, to devise organisational structures to support such political activity and to politicise those who produced and consumed pop.
期刊介绍:
BJPIR provides an outlet for the best of British political science and of political science on Britain Founded in 1999, BJPIR is now based in the School of Politics at the University of Nottingham. It is a major refereed journal published by Blackwell Publishing under the auspices of the Political Studies Association of the United Kingdom. BJPIR is committed to acting as a broadly-based outlet for the best of British political science and of political science on Britain. A fully refereed journal, it publishes topical, scholarly work on significant debates in British scholarship and on all major political issues affecting Britain"s relationship to Europe and the world.