{"title":"Hawkish Reading: John Steinbeck and the Vietnam War","authors":"Douglas Dowland","doi":"10.1353/crt.2022.0003","DOIUrl":null,"url":null,"abstract":"Abstract:This article explores John Steinbeck's Vietnam War journalism as a way of understanding how hawks—those who favor military intervention—read the world with what affect theorists would call a \"strong theory\" of aggression. I argue that hawkish reading weaponizes the rhetorical precepts of synecdoche, taking its premise that a part can represent a whole as a means to escalate and invade. Steinbeck's journalism demonstrates how hawkish reading occurs not only in a hawk's depiction of the enemy abroad, but inevitably becomes a way of depicting protestors at home. What hawkish reading shows is how the hawk is dedicated to maintaining his strong theory of aggression at any cost, even when the hawk's depictions perpetuate cliché, stereotype, and ultimately, demagoguery. To explore texts like Steinbeck's for their hawkish reading is to better understand not only how the hawk uses facile language to create intense attachments, but also to better understand how the hawk's language creates dissensus at home.","PeriodicalId":42834,"journal":{"name":"FILM CRITICISM","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"FILM CRITICISM","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/crt.2022.0003","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract:This article explores John Steinbeck's Vietnam War journalism as a way of understanding how hawks—those who favor military intervention—read the world with what affect theorists would call a "strong theory" of aggression. I argue that hawkish reading weaponizes the rhetorical precepts of synecdoche, taking its premise that a part can represent a whole as a means to escalate and invade. Steinbeck's journalism demonstrates how hawkish reading occurs not only in a hawk's depiction of the enemy abroad, but inevitably becomes a way of depicting protestors at home. What hawkish reading shows is how the hawk is dedicated to maintaining his strong theory of aggression at any cost, even when the hawk's depictions perpetuate cliché, stereotype, and ultimately, demagoguery. To explore texts like Steinbeck's for their hawkish reading is to better understand not only how the hawk uses facile language to create intense attachments, but also to better understand how the hawk's language creates dissensus at home.
期刊介绍:
Film Criticism is a peer-reviewed, online publication whose aim is to bring together scholarship in the field of cinema and media studies in order to present the finest work in this area, foregrounding textual criticism as a primary value. Our readership is academic, although we strive to publish material that is both accessible to undergraduates and engaging to established scholars. With over 40 years of continuous publication, Film Criticism is the third oldest academic film journal in the United States. We have published work by such international scholars as Dudley Andrew, David Bordwell, David Cook, Andrew Horton, Ann Kaplan, Marcia Landy, Peter Lehman, Janet Staiger, and Robin Wood. Equally important, FC continues to present work from emerging generations of film and media scholars representing multiple critical, cultural and theoretical perspectives. Film Criticism is an open access academic journal that allows readers to read, download, copy, distribute, print, search, and link to the full texts of articles, or use them for any other lawful purpose except where otherwise noted.