Chinese Culture in the Cirebon Sultanate: Symbolic and Philosophical Meanings

Mukhoyyaroh Mukhoyyaroh, Didin Saepudin, M. I. Tanggok
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引用次数: 2

Abstract

This paper aims to explore the symbolic and philosophical meaning of the elements of Chinese culture in the Kasepuhan Palace, Cirebon. In this palace, there are many Chinese cultural ornaments that adorn this historical site. One of them is the Siti Inggil building, where there are walls pasted with Chinese ceramics. The primary data of this paper were obtained from the field by means of observation, documentation, and direct interviews. Data analysis used descriptive qualitative and semiotic methods with archaeological, anthropological, and socio-historical approaches. This article confirms that the Chinese ornaments in the Cirebon Sultanate prove the process of cultural acculturation between Chinese culture and Cirebon culture.  In Chinese tradition, the dragon is a symbol of the Chinese emperor. while the image of the Phoenix bird is a symbol of the female emperor, peace and prosperity, and the image of the fish is a symbol of darkness and luxury.
中国文化在苏丹的象征意义和哲学意义
本文旨在探讨喀塞普汉宫中中国文化元素的象征意义和哲学意义。在这个宫殿里,有许多中国文化饰品点缀着这个历史遗迹。其中之一是司提英吉尔大楼,那里的墙壁上贴着中国陶瓷。本文的主要资料是通过观察、文献和直接访谈的方式从实地获得的。数据分析使用描述性定性和符号学方法与考古学,人类学和社会历史的方法。本文证实了锡伯勒苏丹国的中国装饰物证明了中国文化与锡伯勒文化的文化融合过程。在中国传统中,龙是中国皇帝的象征。凤凰鸟的形象是女皇帝、和平与繁荣的象征,鱼的形象是黑暗和奢侈的象征。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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