EL OJO ÁVIDO: DOS REALISMOS DESHECHOS EN NANÁ DE JEAN RENOIR

IF 0.3 0 PHILOSOPHY

Aisthesis-Pratiche Linguaggi e Saperi dell Estetico Pub Date : 2017-07-01 DOI:10.7764/aisth.61.3

P. Lee

引用次数: 0

Abstract

El articulo analiza la manera en que Jean Renoir, en su pelicula Nana –adaptacion de la novela de Emile Zola- expone la imposibilidad de la existencia de una “mirada objetiva” en sus personajes. La tesis central de este trabajo plantea que Renoir muestra esta imposibilidad a traves de tecnicas narrativas que cuestionan al mismo tiempo las posibilidades de “realismo” para el septimo arte. El articulo explica la existencia de “dos realismos” –el narrativo y el descriptivo- como constitutivos del texto filmico, y que son utilizados por Renoir paradojicamente para negar la objetividad en la mirada de sus personajes.

查看原文本刊更多论文

贪婪的眼睛:让·雷诺阿的nana中的两个破碎的现实主义

本文分析了让·雷诺阿在他的电影《Nana》(改编自Emile左拉的小说)中如何暴露出对他的角色存在“客观观点”的不可能。这部作品的中心论点是，雷诺阿通过叙事技巧展示了这种不可能，同时质疑第七艺术的“现实主义”可能性。这篇文章解释了“两种现实主义”的存在——叙事的和描述性的——作为电影文本的组成部分，雷诺阿悖论地使用这两种现实主义来否认他的角色凝视的客观性。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Aisthesis-Pratiche Linguaggi e Saperi dell Estetico PHILOSOPHY-

CiteScore

0.30

自引率

0.00%

发文量

审稿时长

40 weeks

期刊介绍： The choice of the name of the journal represents a farewell from the identification of aesthetics with hermeneutics and speculative philosophy of art. It also shows our strong commitment to the irreducibility of aesthetics to a mere psychological fact. The subtitle of the journal “practices, languages and knowledge concerning aesthetics” indicates the present, fertile pluralism of aesthetics. This is a pluralism of views and methods, often connected with the different ways in which contemporary arts and aesthetic abilities present and structure themselves. Also, it is a pluralism of thoughts and formulas, which induces to relativize the western tradition within which the discipline of aesthetics was born. Finally, it is a pluralism of epistemic landscapes, which also trespasses into the sphere of sensibility and art. These various, epistemic landscapes have recently experienced a revolutionary enlargement through the rise of some new or radically renewed disciplines (from neurosciences to anthropology, from cognitive sciences to psychobiology). Indeed, we conceive Aisthesis as a public space where those different approaches and disciplines can interact.