Sekala Niskala Management and Pedagogical Aspects of The Gebug Ende Seraya Traditional Art Performance In The Traditional Village Of Seraya, Bali, Indonesia

Abstract

This article is the result of field research that describes the management of sekala niskala in the management of the Gebug Ende Seraya tradition, the performance system, and the pedagogical aspects contained therein. This research aims to understand the management of the noetic sekala in the Gebug Ende Sambil performance, its functions, and the pedagogical aspects contained therein. This research was conducted using a qualitative research approach and the method is ethnography. The results of the study show that managing the Gebug Ende Seraya traditional art performance while following the functions of a modern management system, namely planning, organizing, leading, and controlling. Which involves sekala (natural) elements, namely the chief of the traditional village and the performance organizing committee, and abstract (unreal) elements, namely the Hindu gods who reside in the temples of the Seraya Traditional Village. Gebug Ende Seraya art performance while having several functions, namely as a ritual to ask for rain, fertility, and repel reinforcements for the safety of plants, animals and humans. Another function is war training as a warrior of the Karangasem kingdom. Performing the art of the Gebug Ende Seraya tradition while also being an educational medium to instill religious values, art, social solidarity, aggressive emotional control, courage, and respect for the power of the Karangasem king. These aspects are crucial so that the maintenance of the gebug ende art tradition must continue to be carried out, involving traditional villages and supra-village authorities.