An Investigation of Music Therapists' Experiences of Verbal Dialogue in Music Therapy Sessions

S. Nelligan, Tríona McCaffrey
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引用次数: 3

Abstract

This study presents a preliminary exploration of music therapists’ first-hand experiences of engaging in verbal dialogue with clients in their clinical practice. To the authors’ knowledge no previous studies have examined the role of verbal dialogue from the first-hand perspectives of experienced professionals working in the field. Three individual interviews were conducted with three accredited Irish music therapists. Four central themes emerged as a result of thematic content analysis: content and function of verbal dialogue, the use of verbal dialogue may contribute to professional ambiguity, returning to the music, and the dyadic relationship between musical and verbal exchange. The findings revealed verbal dialogue to be a topic of interest for the participants in this study, one which stimulated meaningful reflections about clinical practice. The implications for professional identity and clinical practice which arose distinguished verbal dialogue as a potential area for further research and professional discourse within the wider music therapy community. Suggestions were made for additional areas of learning that may assist in preparing trainee and newly-qualified music therapists for potentially challenging verbal encounters with
音乐治疗师在音乐治疗过程中言语对话体验的调查
本研究初步探讨了音乐治疗师在临床实践中与来访者进行口头对话的第一手经验。据作者所知,以前没有研究从该领域工作的经验丰富的专业人员的第一手角度考察口头对话的作用。三个单独的访谈进行了三个认可的爱尔兰音乐治疗师。主题内容分析产生了四个中心主题:言语对话的内容和功能、言语对话的使用可能导致专业歧义、回归音乐以及音乐与言语交流之间的二元关系。研究结果表明,口头对话是本研究参与者感兴趣的话题,它激发了对临床实践的有意义的反思。对专业认同和临床实践的影响,产生了杰出的语言对话,作为进一步研究和更广泛的音乐治疗社区专业话语的潜在领域。提出了一些额外的学习领域的建议,这些建议可以帮助培训生和新合格的音乐治疗师为潜在的具有挑战性的口头接触做好准备
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