Grimalkin and other Shakespearean Celts

IF 0.1 3区 社会学 0 LITERATURE, BRITISH ISLES
A. Hadfield
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引用次数: 1

Abstract

This essay examines the representation of Ireland and Celtic culture within the British Isles in Shakespeare’s works. It argues that Shakespeare was interested in ideas of colonisation and savagery and based his perceptions on contemporary events, the history of the British Isles and important literary works such as William Baldwin’s prose fiction, Beware the Cat. His plays, notably The Comedy of Errors and Macbeth, represent Protestant England as an isolated culture surrounded by hostile Celtic forces which form a threatening shadowy state. The second part of the essay explores Shakespeare’s influence on Irish culture after his death, arguing that he was absorbed into Anglo-Irish culture and played a major role in establishing Ireland’s Anglophone literary identity. Shakespeare imported the culture of the British Isles into his works – and then, as his fame spread, his plays exported what he had understood back again, an important feature of Anglo-Irish literary identity, as many subsequent writers have understood.
格里马尔金和其他莎士比亚的凯尔特人
本文考察了在莎士比亚的作品中爱尔兰和凯尔特文化在不列颠群岛的表现。它认为,莎士比亚对殖民和野蛮的观念很感兴趣,他的看法是基于当代事件、不列颠群岛的历史和重要的文学作品,如威廉·鲍德温的散文小说《当心猫》。他的戏剧,最著名的是《错误喜剧》和《麦克白》,代表了新教英格兰是一个被敌对的凯尔特势力包围的孤立文化,形成了一个威胁的阴影国家。文章的第二部分探讨了莎士比亚死后对爱尔兰文化的影响,认为他被盎格鲁-爱尔兰文化所吸收,并在建立爱尔兰英语文学身份方面发挥了重要作用。莎士比亚将英伦三岛的文化引入到他的作品中,然后,随着他的名声的传播,他的戏剧又输出了他所理解的东西,这是盎格鲁-爱尔兰文学身份的一个重要特征,正如许多后来的作家所理解的那样。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
0
期刊介绍: SEDERI, Yearbook of the Spanish and Portuguese Society for English Renaissance Studies, is an annual open-access publication devoted to current criticism and scholarship on English Renaissance Studies. It is peer-reviewed by external referees, following a double-blind policy.
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