Anti-Mimicry of the Female Characters in Conrad’s Almayer’s Folly

M. Mugijatna, S. Habsari, K. Kusciati
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Abstract

This research focuses on Joseph Conrad’s Almayer’s Folly  to explain the circumstance which leads to the rejection of Mrs. Almayer and Nina Almayer to embrace the dominant race and the reason why these characters choose to remain within ‘Othered’ identity. This study employs Ricoeur’s hermeneutics that applies two steps of reading: distantiation to obtain an objective understanding of the novel and an appropriation through putting the objective understanding of the novel in the socio-cultural context. This study attempts to offer the term “anti-mimicry”, borrowing Bhabha’s term’ to explain the subjectivity of the female character who stand out against the white domination to resist through savage and barbarous manners to mock the dominator, the white. Through the refusal to mimic, Conrad provides a space for Malay women consciousness to develop her subjectivity that could be construed as Conrad’s ambiguous perspective to white superiority in the colonialized era.
论康拉德《阿尔迈耶的愚蠢》中女性角色的反拟态
本研究的重点是约瑟夫·康拉德的阿尔迈耶的愚蠢,以解释导致拒绝阿尔迈耶夫人和尼娜阿尔迈耶拥抱主导种族的情况,以及为什么这些人物选择留在“他者”身份的原因。本研究采用了利科的解释学方法,运用了两个阅读步骤:一是通过疏离来获得对小说的客观理解,二是通过将对小说的客观理解置于社会文化语境中进行挪用。本研究试图用“反模仿”这个词,借用巴巴的“反模仿”一词来解释女性角色的主体性,她们站出来反对白人的统治,以野蛮、野蛮的方式来反抗白人的统治。康拉德通过拒绝模仿,为马来女性意识的主体性发展提供了空间,这可以理解为康拉德对殖民时代白人优越感的模糊视角。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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