{"title":"Modes of presentation and ways of appearing: a critical revision of Evans’s account*","authors":"E. Sacchi","doi":"10.13128/PHE_MI-23669","DOIUrl":null,"url":null,"abstract":"There are many ways in which a subject can think about an object. One of these occurs when the subject can perceive the object: perceiving an object makes it possible to think about it in a very direct and straightforward way. This is so because perception of the object makes a subject aware of the object itself. But what is it to be (perceptually) aware of something? Moreover, how does such an awareness have to be accounted for? According to a very influential proposal leading back to Gareth Evans (1982), the kind of awareness that can home a subject’s thought on an object has to be cashed out in terms of singular object-dependent modes of presentation understood as ways of having discriminating (albeit non-descriptive) knowledge of the object. Contra Evans I shall claim that modes of presentation thus characterized do not account for perceptual awareness, but rather presuppose it.","PeriodicalId":37133,"journal":{"name":"Phenomenology and Mind","volume":"47 1","pages":"188-202"},"PeriodicalIF":0.0000,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Phenomenology and Mind","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.13128/PHE_MI-23669","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
There are many ways in which a subject can think about an object. One of these occurs when the subject can perceive the object: perceiving an object makes it possible to think about it in a very direct and straightforward way. This is so because perception of the object makes a subject aware of the object itself. But what is it to be (perceptually) aware of something? Moreover, how does such an awareness have to be accounted for? According to a very influential proposal leading back to Gareth Evans (1982), the kind of awareness that can home a subject’s thought on an object has to be cashed out in terms of singular object-dependent modes of presentation understood as ways of having discriminating (albeit non-descriptive) knowledge of the object. Contra Evans I shall claim that modes of presentation thus characterized do not account for perceptual awareness, but rather presuppose it.