Self-Determination Theory Perspective on Motivation and Solo Performance among Students in Higher Music Education in Serbia

IF 0.4 Q4 PSYCHOLOGY, MULTIDISCIPLINARY
Blanka Bogunović, Olja Jovanović, N. Šimić, Dejana Mutavdžin
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引用次数: 0

Abstract

Motivation is highly important for participation in musical activities and musical achievement. In the context of higher music education (HME) in Serbia, we sought to examine the relationship between students’ solo performance opportunities and two key components of the Self-Determination Theory (STD) – basic psychological needs (Competence, Relatedness and Autonomy) and motivational regulation styles (Amotivation, External, Introjected negative, Introjected positive, Identified, Intrinsic). The convenient sample of 197 HME students (performing modules; Mage = 23.88, SD = 3.4) completed two inventories: Basic Psychological Needs Satisfaction and Frustration Scale (BPNSFS; Chen et al., 2015) and Relative Autonomy Index Questionnaire (RAI-SRQ; Sheldon et al., 2017); they also provided data on the frequency of solo performances during HME. The results indicate that our participants’ basic psychological needs are highly met, with the need for Relatedness being significantly less satisfied and the need for Autonomy significantly more frustrated than the remaining two needs. The motivation for participation in music activities in our sample could be described as predominantly autonomous – Identified or Intrinsic. Fulfilment/frustration of basic psychological needs and motivational regulation styles predicted the likelihood of public solo performances, with Amotivation and External motivation being significant predictors. Our findings suggest that students with higher external motivation for participation in musical activities are more likely to have solo performances. In line with STD’s postulates, our findings are seen as a reflection of the dominant approaches to music education in Serbia, and are discussed as such.
自决理论视角下塞尔维亚高等音乐教育学生的动机与独奏表现
动机对于参与音乐活动和取得音乐成就非常重要。在塞尔维亚高等音乐教育(HME)的背景下,我们试图研究学生独奏表演机会与自决理论(STD)的两个关键组成部分之间的关系-基本心理需求(能力,相关性和自主性)和动机调节风格(动机,外部,内向消极,内向积极,确定,内在)。方便样本:197名HME学生(执行模块;(男)= 23.88,SD = 3.4)完成了两个量表:基本心理需求满足和挫折量表(BPNSFS;Chen et al., 2015)和相对自主指数问卷(RAI-SRQ;Sheldon et al., 2017);他们还提供了HME期间个人表演频率的数据。结果表明,参与者的基本心理需求得到了高度满足,相关性需求显著低于相关性需求,自主性需求显著低于相关性需求。在我们的样本中,参与音乐活动的动机可以被描述为主要是自主-识别或内在的。基本心理需求的满足/挫败感和动机调节风格预测了公开独奏表演的可能性,动机和外部动机是显著的预测因素。我们的研究结果表明,参与音乐活动的外部动机较高的学生更有可能进行独奏表演。与STD的假设一致,我们的研究结果被视为塞尔维亚音乐教育的主要方法的反映,并就此进行了讨论。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Psihologijske teme
Psihologijske teme Psychology-Clinical Psychology
CiteScore
1.00
自引率
0.00%
发文量
22
审稿时长
30 weeks
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