Formations of World Literature(s) and Shaw’s The Man of Destiny in Chinese and Japanese Translation

Shunqing Cao, Xin Chen
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Abstract

Abstract: In "Formations of World Literature(s) and Shaw’s The Man of Destiny in Chinese and Japanese Translation" Shunqing Cao and Xin Chen expand Franco Moretti’s dictum that "world literature is not an object, it’s a problem" to elaborate that the concept of world literature(s) is in some sense a problematic one, which is itself under a process of problematization. Cao and Chen discuss how variation and heterogeneity contribute to a more in-depth understanding of formations of world literature(s). Taking the Bernar Shaw’s The Man of Destiny they discuss the writer’s presence in world literature from a bi-lateral perspective: Shaw’s work in the Englishspeaking West and Shaw in Asia. For the former, Shaw stands in a specific place in recent postcolonial Irish Studies and thus raise problems for their research paradigm. For the latter, Cao and Chen present an analytical comparison between a Chinese and a Japanese translation of The Man of Destiny. Cao and Chen argue that by such a bilateral approach we may recognize the importance of heterogeneity so as to obtain further reflections on present discussions of world literature(s).
世界文学的形成与萧伯纳《命运之人》的汉译与日译
[摘要]在《世界文学的形成与萧伯纳的《命运之人》的中日译》中,曹顺清、陈欣拓展了莫雷蒂的“世界文学不是一个客体,而是一个问题”的名言,阐述了世界文学的概念在某种意义上是一个有问题的概念,而这个概念本身也处于一个问题化的过程中。曹和陈讨论了变异和异质性如何有助于更深入地理解世界文学的形成。本文以萧伯纳的《命中注定的人》为例,从两个侧面探讨了萧伯纳在世界文学中的存在:在西方英语国家的作品和在亚洲的作品。对于前者来说,肖在最近的后殖民爱尔兰研究中处于特定的位置,从而为他们的研究范式提出了问题。对于后者,曹和陈分析比较了《命运之人》的中、日文译本。曹和陈认为,通过这种双边方法,我们可以认识到异质性的重要性,从而对当前世界文学的讨论进行进一步的反思。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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