THE PHENOMENON OF CALENDAR LYRICAL POETRY AND ITS GENESIS

Atdhe Hykolli, Seniha Krasniqi
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引用次数: 0

Abstract

In accordance with the title itself, this paper deals with a study that aims not only to appreciate the Albanian folk cultural heritage included in the ritual calendar songs but also to evaluate and synthesize the scientific and evaluative thinking of the studies on the subject. Folk poetry, that is, lyrical calendar poetry, is a mouth-to-mouth creation from generation to generation. We can rightly say that these creations overcame the tragic ruins of centuries, always renewing, enriching, many of them, fading, nevertheless constantly in harmony with the development of the people’s life and social circumstances. Ancient as the people themselves, Albanian oral creativity in general, ritual lyrical songs in particular, and especially lyrical songs of calendar rites, are still fresh, wherever used, exclusively in rural settings, where part of human life consists of livestock and agriculture. Regardless of their intense developments, this creativity is constantly transformed.
历法抒情诗现象及其成因
根据题目本身,本文的研究目的不仅在于欣赏仪式日历歌曲中所包含的阿尔巴尼亚民间文化遗产,而且还在于评价和综合这一主题研究的科学性和评价性思维。民间诗歌,即抒情日历诗歌,是一代又一代口口相传的创作。我们可以正确地说,这些创作克服了几个世纪的悲惨废墟,不断更新,丰富,其中许多是衰落的,但始终与人民生活和社会环境的发展保持和谐。阿尔巴尼亚人的口头创作,特别是仪式抒情歌曲,特别是历法仪式的抒情歌曲,虽然他们本身是古老的,但无论在何处使用,都仍然是新鲜的,只在农村环境中使用,在农村环境中,人类生活的一部分由牲畜和农业组成。无论他们的发展如何激烈,这种创造力都在不断地变化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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