Revisiting the Question of Literary Patronage under the Early Safavids

Theodore S. Beers
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引用次数: 0

Abstract

This article reviews an old debate in Persian literary history surrounding the judgment of early modern poetry and, in particular, the legacy of the Safavid dynasty, and argues that a few of the questions over which scholars once disagreed have not been resolved to the extent that might be suspected. The general narrative that prevailed for most of the twentieth century, in which Persian lyric poetry of the early modern era was criticized as decadent and the Safavids were denounced for having abandoned their traditional duty to promote arts and letters, is now rightly considered obsolete. As the field has developed a more mature approach to these issues, however, the question of patronage at the Safavid court has been set aside more than it has been settled. We still have not reached a comprehensive understanding of the transformations that took place in Persian literary culture from the tenth/sixteenth century onward. The migration of scores of Iranian poets to Mughal India is recognized as a key development, but the impact of the contemporary situation in Safavid lands – including, perhaps, a relative lack of patronage – merits reconsideration.
重新审视早期萨法维王朝时期的文学赞助问题
这篇文章回顾了波斯文学史上围绕早期现代诗歌的判断,特别是萨法维王朝的遗产的一场古老的辩论,并认为学者们曾经不同意的一些问题并没有得到解决,到可能被怀疑的程度。在20世纪的大部分时间里,人们普遍认为波斯近代早期的抒情诗是颓废的,萨法维王朝被指责放弃了促进艺术和文学的传统职责,这种说法现在被认为是过时的。然而,随着该领域对这些问题发展出一种更成熟的方法,萨法维法院的赞助问题被搁置了,而不是得到解决。我们仍然没有对10 / 16世纪以来波斯文学文化发生的变化有一个全面的了解。大批伊朗诗人移民到莫卧儿王朝的印度被认为是一个关键的发展,但萨法维王朝的当代局势的影响——可能包括相对缺乏资助——值得重新考虑。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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CiteScore
1.50
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