A Call for Radical Imagining: Exploring Anti-Blackness in the Music Therapy Profession

M. Norris
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引用次数: 14

Abstract

This spotlight presentation explores the relationship between anti-Black violence and music therapy. Centering the recent deaths of Ahmaud Arbery, Breonna Taylor, Sean Reed, George Floyd, and Tony McDade, the speaker discusses protests taking place in the United States and throughout the world that demand justice for Black lives. In this presentation, the speaker discusses the interconnectedness of physical and social death as a continuum of oppression the field must contend with to meet social justice aims. Music therapy across the globe is situated within complex sociopolitical, socio-structural, socio-historical, and socio-cultural systems. It holds the vestiges of White European settler colonialism and is founded upon dominant cultural values and ideals that support its existence and simultaneously benefit and harm client communities. While, as a professional body, we aim to deepen music therapy access and conceptualize empowerment from a social justice frame, we must explore the various ways music therapy leverages proximations of power. Any calls for access and empowerment in music therapy amplify our existence within unjust systems and our participation in their perpetuation in education, theory, research, practice, and praxis. The speaker explores anti-Blackness from a Black feminist lens and discusses the radical repositioning of music therapy as we collectively strive to meet social
对激进想象的呼唤:探索音乐治疗行业中的反黑人现象
这次聚焦演讲探讨了反黑人暴力和音乐治疗之间的关系。演讲者以最近死亡的阿默德·阿贝里、布里奥娜·泰勒、肖恩·里德、乔治·弗洛伊德和托尼·麦克达德为中心,讨论了在美国和世界各地发生的要求为黑人生命伸张正义的抗议活动。在这次发言中,发言者讨论了身体死亡和社会死亡之间的相互联系,作为该领域为实现社会正义目标必须应对的连续压迫。全球范围内的音乐治疗处于复杂的社会政治、社会结构、社会历史和社会文化系统中。它保留了欧洲白人定居者殖民主义的痕迹,并建立在主流文化价值观和理想的基础上,这些价值观和理想支持着它的存在,同时也有利于和损害着客户社区。然而,作为一个专业机构,我们的目标是从社会正义的框架中深化音乐治疗的使用和赋予权力的概念,我们必须探索音乐治疗利用权力近似的各种方式。任何对音乐治疗的准入和授权的呼吁,都会放大我们在不公正体系中的存在,以及我们在教育、理论、研究、实践和实践中对不公正体系的参与。演讲者从黑人女权主义的角度探讨了反黑人问题,并讨论了音乐治疗在我们共同努力满足社会需求时的激进重新定位
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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