{"title":"Student-Led Music Curriculum: Achieving Self-Regulated Learning through Project-Based and Inquiry-Based Pedagogies","authors":"N. Mamedov","doi":"10.18178/ijlt.8.2.99-107","DOIUrl":null,"url":null,"abstract":"The music curriculum contains multiple disciplines, all intertwined through standards, objectives, and goals. The 21st-century learning practices emphasize music pedagogy’s applied purposes from performative and academic perspectives while outweighing the exam-driven nature to generate motivation and appreciation for music. This research defines curricular innovations that allow for a student-led music program with a particular emphasis on performative components of music education that – along with project-based and inquiry-based pedagogies – align students on a path to self-regulated learning. The paper discusses and analyzes the structures evoked by educators to allow students to produce a dynamic student-led curriculum. Furthermore, the article outlines the motivational advantages that the revised curriculum engraves within its four-step music performance framework in the context of McClelland's motivators.","PeriodicalId":93451,"journal":{"name":"International journal of learning and teaching","volume":"1 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"International journal of learning and teaching","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.18178/ijlt.8.2.99-107","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
Abstract
The music curriculum contains multiple disciplines, all intertwined through standards, objectives, and goals. The 21st-century learning practices emphasize music pedagogy’s applied purposes from performative and academic perspectives while outweighing the exam-driven nature to generate motivation and appreciation for music. This research defines curricular innovations that allow for a student-led music program with a particular emphasis on performative components of music education that – along with project-based and inquiry-based pedagogies – align students on a path to self-regulated learning. The paper discusses and analyzes the structures evoked by educators to allow students to produce a dynamic student-led curriculum. Furthermore, the article outlines the motivational advantages that the revised curriculum engraves within its four-step music performance framework in the context of McClelland's motivators.