Student-Led Music Curriculum: Achieving Self-Regulated Learning through Project-Based and Inquiry-Based Pedagogies

N. Mamedov
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引用次数: 1

Abstract

The music curriculum contains multiple disciplines, all intertwined through standards, objectives, and goals. The 21st-century learning practices emphasize music pedagogy’s applied purposes from performative and academic perspectives while outweighing the exam-driven nature to generate motivation and appreciation for music. This research defines curricular innovations that allow for a student-led music program with a particular emphasis on performative components of music education that – along with project-based and inquiry-based pedagogies – align students on a path to self-regulated learning. The paper discusses and analyzes the structures evoked by educators to allow students to produce a dynamic student-led curriculum. Furthermore, the article outlines the motivational advantages that the revised curriculum engraves within its four-step music performance framework in the context of McClelland's motivators.
学生主导的音乐课程:通过项目教学法和探究教学法实现自主学习
音乐课程包含多个学科,所有学科都通过标准、目标和目标交织在一起。21世纪的学习实践强调音乐教学的应用目的,从表演和学术的角度来看,而不是考试驱动的性质,以产生动机和欣赏音乐。这项研究定义了课程创新,允许学生主导的音乐课程,特别强调音乐教育的表演部分,以及基于项目和基于探究的教学法,使学生走上自我调节学习的道路。本文讨论和分析了教育工作者唤起的结构,让学生产生一个动态的学生主导的课程。此外,本文还概述了在麦克利兰的激励因素背景下,修订后的课程在其四步音乐表演框架内所体现的激励优势。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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