“Greget” in The Surabaya Ngrema Dance Performance Representation of The Value of The Fighting Spirit of Arek Surabaya

Wahyudiyanto Wahyudiyanto
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Abstract

In the Ngrema Surabayan dance performance there is an expression called Greget. Greget that the audience felt are in form of vibrations when the dancers make movements. Suspected Greget is a dancer's interpretation work to present certain figures as a reflection of dance themes. This research uses a descriptive approach by applying technical and kinesthetic analysis of motion. Ethnographic methods are used as data collectors and compile narratives to realize an understanding of Greget. The results of the study explained that the Greget in Surabayan Ngrema Dance was formed by the quality of technique and kinesthetic. The technique as the application of the basic guidelines for the implementation of the motion presents kinesthetic that is a sense of gallant, agile, and authoritative. Sense of movement is the implication of a deep appreciation of the value of heroism. The value of heroism as a dance theme is represented by dancers from the Cakraningrat figure the regent of Madura. An imaginary expression of the spirit of struggle in the Ngrema Surabayan dance embodies the legitimacy of the Surabaya City hero identity.
泗水Ngrema舞蹈表演中的“Greget”体现了Arek泗水的战斗精神价值
在Ngrema Surabayan舞蹈表演中,有一种表达叫做Greget。观众感受到的是舞者动作时产生的振动。《疑似格蕾特》是舞者将特定的人物形象作为舞蹈主题的反映而呈现的演绎作品。本研究采用描述性的方法,应用技术和运动的动觉分析。使用民族志方法作为数据收集和汇编叙述,以实现对格雷特的理解。研究结果说明,泗水舞中的Greget是由技术素质和动觉素质共同形成的。技术作为实施运动的基本指导原则的应用,呈现出一种勇敢、敏捷和权威的动觉感。运动感暗示着对英雄主义价值的深刻欣赏。英雄主义作为舞蹈主题的价值体现在卡克拉宁格拉的舞者身上,即马杜拉的摄政王。Ngrema Surabayan舞蹈中对斗争精神的想象性表达体现了泗水市英雄身份的合法性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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