{"title":"Poética y polémica en la poesía de Bartolomé Leonardo de Argensola / Poetic and Polemic in Bartolomé Leonardo de Argensola's Poetry","authors":"M. D'agostino","doi":"10.5325/CALIOPE.26.1.0019","DOIUrl":null,"url":null,"abstract":"abstract:Bartolomé Leonardo de Argensola never took part in the polemic typical of his own time, but this attitude did not prevent him from expressing his disapproval of Góngora. Thus far critics have always thought that Bartolomé had not commented on the greatest literary scandal of that time: the Soledades. However, a more careful analysis of his texts highlights how Argensola fiercely criticized Gongora's poem, even stating—although in Horatian mode—that poetry had become a monster, referring precisely to the verses in which Góngora offers one of the best proves of his genius: the dedication to the Duke of Béjar.resumen:Bartolomé Leonardo de Argensola no participó en las \"batallas de plumas\" que se combatieron en su época, pero esto no le impidió expresar su desaprobación tanto de Lope como de Góngora. La crítica ha subrayado siempre que Bartolomé no llegó nunca a manifestarse sobre el mayor escándalo literario de la época: las Soledades. Sin embargo, una lectura más atenta de algunos de sus textos evidencia que el poeta aragonés juzgó severamente el poema gongorino, llegando a sostener, si bien more horaciano, que la poesía se había transformado en un monstruo, tomando como referencia precisamente los versos en que Góngora ofrece una de las pruebas más audaces de su genio poético: la dedicatoria al duque de Béjar.","PeriodicalId":29842,"journal":{"name":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2021-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Caliope-Journal of the Society for Renaissance and Baroque Hispanic Poetry","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5325/CALIOPE.26.1.0019","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, ROMANCE","Score":null,"Total":0}
引用次数: 0
Abstract
abstract:Bartolomé Leonardo de Argensola never took part in the polemic typical of his own time, but this attitude did not prevent him from expressing his disapproval of Góngora. Thus far critics have always thought that Bartolomé had not commented on the greatest literary scandal of that time: the Soledades. However, a more careful analysis of his texts highlights how Argensola fiercely criticized Gongora's poem, even stating—although in Horatian mode—that poetry had become a monster, referring precisely to the verses in which Góngora offers one of the best proves of his genius: the dedication to the Duke of Béjar.resumen:Bartolomé Leonardo de Argensola no participó en las "batallas de plumas" que se combatieron en su época, pero esto no le impidió expresar su desaprobación tanto de Lope como de Góngora. La crítica ha subrayado siempre que Bartolomé no llegó nunca a manifestarse sobre el mayor escándalo literario de la época: las Soledades. Sin embargo, una lectura más atenta de algunos de sus textos evidencia que el poeta aragonés juzgó severamente el poema gongorino, llegando a sostener, si bien more horaciano, que la poesía se había transformado en un monstruo, tomando como referencia precisamente los versos en que Góngora ofrece una de las pruebas más audaces de su genio poético: la dedicatoria al duque de Béjar.