The Secrets of Calvino's Ars Combinatoria

IF 0.1 0 LANGUAGE & LINGUISTICS
Giordano Mazza
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引用次数: 0

Abstract

In this article, I explore the relationship between secrets and ars combinatoria, or the art of combining elements.1 In particular, I analyze this relationship in Italo Calvino's works, as Calvino can be thought of as the major representative of combinatorial literature in Italy. Although there are several published articles discussing the literary theory on secrecy, and several more analyzing combinatorial literature in Calvino, none discusses the importance of secrets in Calvino or links combinatorial literature with secrecy. I argue that ars combinatoria and, more specifically, combinatorial literature, is always closely linked with secrecy. I demonstrate that secrecy is a key aspect of combinatorial literature and that such combinatory elements become an essential part of Calvino's storytelling. I first define each of these terms (secrecy and combinatorics) in a broader context and then in the context of their literary usage.
卡尔维诺的艺术组合的秘密
在本文中,我将探讨秘密与组合艺术(或组合元素的艺术)之间的关系我特别在卡尔维诺的作品中分析了这种关系,因为卡尔维诺可以被认为是意大利组合文学的主要代表。虽然有几篇文章讨论了关于秘密的文学理论,也有几篇文章分析了卡尔维诺的组合文学,但没有一篇文章讨论了卡尔维诺中秘密的重要性,也没有一篇文章将组合文学与秘密联系起来。我认为,组合学,更具体地说,组合文学,总是与保密紧密相连。我证明了秘密是组合文学的一个关键方面,这种组合元素成为卡尔维诺讲故事的重要组成部分。我首先在更广泛的背景下定义这些术语(保密和组合),然后在它们的文学用法的背景下定义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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CiteScore
0.10
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0.00%
发文量
9
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