Senecan Tragedy and the Reception of Augustan Poetry by Christopher V. Trinacty (review)

IF 0.1 N/A HUMANITIES, MULTIDISCIPLINARY
I. Willis
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引用次数: 0

Abstract

121 a course syllabus). In response to the exploitative nature of crowd-sourced digital competitions, antispec websites and blogs have sprung up, Kennedy concluding that the main criticism is not the obvious monetary issues but the failure to acknowledge the value of design. In working with a designer in the context of a home renovation, I wholeheartedly agree with the view of the participants that design should begin only after extensive discussion with the clients. Both Kennedy’s and Suhr’s chapters would have benefitted from the use of more data samples to support their claims. As for the remaining chapters, the contexts discussed are interesting, but they read like first drafts of manuscripts that require revisions to the central argument, methodology, and/or data analysis/ presentation. In sum, this is a rather slim volume that does not carve out a sharp focus or cohere particularly well. The readership can be the judge as to whether there is enough content of interest to merit further investigation. Or is there an app or algorithm for that?
塞内坎悲剧与克里斯托弗·v·崔纳提对奥古斯都诗歌的接受(书评)
课程大纲)。针对众包数字竞赛的剥削性质,反规范网站和博客如雨后春笋般涌现,Kennedy总结道,主要的批评不是显而易见的金钱问题,而是未能承认设计的价值。在与设计师的家居装修工作中,我完全同意参与者的观点,即只有在与客户广泛讨论后才能开始设计。肯尼迪和苏尔的章节都将受益于使用更多的数据样本来支持他们的主张。至于其余章节,所讨论的上下文很有趣,但它们读起来就像手稿的初稿,需要对中心论点、方法和/或数据分析/呈现进行修改。总而言之,这是一本相当薄的书,没有划出一个清晰的焦点或连贯性特别好。读者可以判断是否有足够的有趣的内容值得进一步调查。或者有一个应用程序或算法?
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Reception-Texts Readers Audiences History
Reception-Texts Readers Audiences History HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.10
自引率
0.00%
发文量
14
期刊介绍: Reception: Texts, Readers, Audiences, History is a scholarly, peer-reviewed journal published once a year. It seeks to promote dialog and discussion among scholars engaged in theoretical and practical analyses in several related fields: reader-response criticism and pedagogy, reception study, history of reading and the book, audience and communication studies, institutional studies and histories, as well as interpretive strategies related to feminism, race and ethnicity, gender and sexuality, and postcolonial studies, focusing mainly but not exclusively on the literature, culture, and media of England and the United States.
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