Art as an Escape: A Narrative of a Fine Arts Graduate

Hyreizl Love Acosta Tangonan, Charlton Sales Selda
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Abstract

Introduction: In the field of visual arts, there are a few studies conducted on the subject of escapism among artists. This research paper is conducted, in the context of contemporary visual arts, with the purpose of contributing to the knowledge regarding escapism and the experiences of artists who resort to art as an escape. Methods: Using the narrative research design, the central research question is “How do personal experiences trigger a Fine Arts graduate artist to resort to art as an escape?”. A graduate of Fine Arts who personally considers art as an escape was the participant of the study. Data were gathered using semi-structured interviews, and analysed based on the narrative inquiry research framework by Connelly and Clandinin (1990). Results: The findings were categorised into the following three themes: (a) situation, (b) interaction, and (c) continuity. This research will contribute to the existing knowledge of escapism in the field of visual arts even in the local context. Discussion: Further research on the lives of contemporary artists and artisans is needed in the field of narrative inquiry. Moreover, a deeper understanding of the mental and emotional issues among artists will clary misconceptions in the field of visual art and also give new perspectives and insights to a common mentality of artists as introverts or other negative stereotypes
艺术作为一种逃避:一个美术毕业生的叙述
导读:在视觉艺术领域,对艺术家的逃避主义主题进行了一些研究。本研究论文是在当代视觉艺术的背景下进行的,目的是为逃避主义的知识和诉诸艺术作为逃避的艺术家的经验做出贡献。方法:采用叙事性研究设计,研究的中心问题是“个人经历是如何触发美术研究生艺术家诉诸艺术作为逃避的?”研究的参与者是一名美术专业的毕业生,他个人认为艺术是一种逃避。使用半结构化访谈收集数据,并根据Connelly和Clandinin(1990)的叙事探究研究框架进行分析。结果:研究结果分为以下三个主题:(a)情况,(b)相互作用,(c)连续性。本研究将有助于在视觉艺术领域对逃避主义的现有认识,即使是在当地语境下。讨论:在叙事探究的领域,需要对当代艺术家和工匠的生活进行进一步的研究。此外,更深入地了解艺术家的心理和情感问题,将澄清视觉艺术领域的误解,也将为艺术家作为内向者或其他负面刻板印象的共同心态提供新的视角和见解
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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