Dickens’s Pictures from Italy vs. Murray’s Handbook to Northern Italy: An Investigation into Adjective Use

Q1 Arts and Humanities
Erik Castello
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引用次数: 1

Abstract

This study explores the use of adjectives in Dickens’s Pictures from Italy and Murray’s Handbook to Northern Italy. It is based on a 17,645-word corpus made up of sections chosen from the Handbook to Northern Italy and a 17,600-word corpus comprising chapters 5 to 9 of Pictures from Italy. The paper first looks at the frequency and use of adjective tokens in the two corpora and breaks them down into syntactic categories (e.g. predicative, attributive, postposed). It goes on to investigate the distribution of adjective types in the two corpora and illustrates how Dickens uses more adjectives, including some that were infrequently used in late modern English. It then explores adjective compounding in some detail, showing that Dickens makes use of a larger number of hyphenated compound adjectives than Murray. The findings suggest that Pictures from Italy is overall a more inventive and sophisticated piece of writing than the Handbook to Northern Italy, although the latter appears to have inspired the former to some extent. They also indicate that Dickens’s work mainly addresses independent travellers rather than conventional tourists.
狄更斯的《意大利图画》与默里的《意大利北部手册》:形容词用法的考察
本研究探讨了狄更斯的《意大利画报》和默里的《意大利北部手册》中形容词的使用。它基于17,645个单词的语料库,这些语料库由《北意大利手册》和17,600个单词的语料库组成,其中包括《意大利图片》的第5至9章。本文首先考察了两个语料库中形容词符号的使用频率和使用情况,并将其划分为不同的句法类别(如谓语、定语、后置)。接着调查了两个语料库中形容词类型的分布,并说明了狄更斯如何使用更多的形容词,包括一些在现代英语晚期不常用的形容词。然后详细探讨了形容词的复合,表明狄更斯比默里使用了更多的连字符复合形容词。研究结果表明,总体而言,《意大利的图片》比《北意大利手册》更具创造性和复杂性,尽管后者似乎在某种程度上启发了前者。他们还表明,狄更斯的作品主要是针对独立旅行者,而不是传统的游客。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
NJES Nordic Journal of English Studies
NJES Nordic Journal of English Studies Arts and Humanities-Literature and Literary Theory
CiteScore
0.90
自引率
0.00%
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0
审稿时长
24 weeks
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