(Post)human Temporalities: Science Fiction in the Anthropocene

IF 0.3 0 HUMANITIES, MULTIDISCIPLINARY
J. Hay
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引用次数: 1

Abstract

Although many SF texts proceed from the speculative premise that our species will continue to develop technologically, and hence become increasingly posthuman, our species’ continuance into even the next century is by no means assured. Rather, the Anthropocene exerts a new temporal logic; it is an age defined by an intensification of geological timescales. It is therefore noteworthy that many contemporary SF texts are ecologically interventionist and figure apocalyptic future temporalities which curtail the posthuman predilection common to the genre. This article analyses a tetrad of literary texts, written at various points during the last three decades, which summatively reveal the mutations of the (post)human temporalities figured by cli-fi texts. These four texts are: Kim Stanley Robinson’s Mars Trilogy (1992-1996); Jeanette Winterson’s The Stone Gods (2007); Michel Faber’s The Book of Strange New Things (2014); and Paolo Bacigalupi’s The Water Knife (2015).
(后)人类的时间性:人类世的科幻小说
尽管许多科幻小说都是从推测性的前提出发的,即我们的物种将继续在技术上发展,从而变得越来越后人类,但我们的物种是否能延续到下一个世纪,这一点是毫无疑问的。相反,人类世施加了一种新的时间逻辑;这是一个由地质年标强化所定义的时代。因此,值得注意的是,许多当代科幻小说文本都是生态干预主义的,并描绘了世界末日的未来,这削弱了该类型中常见的后人类偏好。本文分析了四组文学文本,这些文本写于过去三十年的不同时间点,总结地揭示了气候变化小说文本所体现的(后)人类时间性的突变。这四本书分别是:金·斯坦利·罗宾逊的《火星三部曲》(1992-1996);珍妮特·温特森的《石神》(2007);米歇尔·费伯的《奇怪的新事物》(2014);以及Paolo Bacigalupi的《水刀》(2015)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
KronoScope-Journal for the Study of Time
KronoScope-Journal for the Study of Time HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.60
自引率
0.00%
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0
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