Drawing as an Ethico-political Practice

IF 1 Q3 GEOGRAPHY
Gunter Gassner
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引用次数: 4

Abstract

This essay explores drawing as an ethico-political practice. Taking London as an example, I speculate about a critical and creative, radical and imaginative engagement with speculative urbanization processes at a time when the extreme right is on the rise and the populist far right has become increasingly mainstream. Reflecting on a nonrepresentational drawing approach that responds to distantiated expert eyes by breaking free from their knowledge and pre-defined moral standards of the capitalist city, I explore different lines: lines that commodify the cityscape; lines that cross commodifying categories; lines that creatively produce alternatives; and lines of violent creativity. In so doing, I scrutinize conservative links between a visuality of capital accumulation and fascist urban aesthetics.
绘画作为一种伦理政治实践
这篇文章探讨了作为一种伦理政治实践的绘画。以伦敦为例,我推测在极右势力崛起、民粹主义极右势力日益成为主流之际,对投机性城市化进程进行批判性和创造性、激进和富有想象力的参与。反思一种非代表性的绘画方法,通过打破他们的知识和资本主义城市预先定义的道德标准来回应遥远的专家的眼睛,我探索了不同的线条:将城市景观商品化的线条;跨越商品类别的界线;创造性地生产替代产品的生产线;还有暴力创造力的线条。在此过程中,我仔细审视了资本积累的视觉性与法西斯城市美学之间的保守联系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Geohumanities
Geohumanities GEOGRAPHY-
CiteScore
1.30
自引率
14.30%
发文量
22
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