Tower in the Symbolism of Valery Bryusov's Poetry

IF 0.1 Q3 HISTORY
V. V. Abashev
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Abstract

The article analyzes the semantics and functional significance of the image of a tower in the symbolism of Valery Bryusov's poetry. A group of poems from the late 1890s – early 1920s was selected, where the existential idea of one's life path as climbing a tower is thematized. Connected by a network of auto-reminiscences, this group of poems forms the core of Bryusov's ‘tower text.’ Besides these, the poet’s ‘tower text’ includes numerous poems where architectural, kinetic, and emotionally expressive signatures of a tower are found as details describing the poet's path. Reintroduced in many variations, with increasing intensity, the vision of a tower runs through all Bryusov's oeuvre. A review of the symbolism of a tower in Russian poetry of the Silver Age demonstrates that Bryusov's case of interpretation of the image was unique. This image is organically connected with the other two major categories of his poetic world – memory and culture. In general, the symbolism of Bryusov's tower goes back to the mythopoetics of the Tower of Babel, but Bryusov resolutely shifts the meaning of this symbol, making it an emblem of his own life path. Among the major poets of the Silver Age, it was only Valery Bryusov for whom a tower became not merely one of the expressive means of the poetic system, but a key symbol of personal identity. Climbing a tower is his destiny and vocation, which the poet accepts with a characteristic mixture of feelings of fatality and pride. The peculiarity of Bryusov's interpretation of the idea of a path was that his path is devoid of internal teleology, it is self-sufficient. In Bryusov's poetry, the path is a pure striving of will, denying any goal as a limitation: ‘In this world of things and appearances / Everything was told to me in a single cry, /‘You must go!’ [V etom mire veshchey i oblichiy /Vse mne skazalos' v yedinstvennom kliche: /«Ty dolzhen idti!»] The figurative plasticity and semantics of a tower most fully expressed this vision of the path.
瓦列里·布留索夫诗歌象征主义中的塔
本文分析了瓦列里·布留索夫诗歌象征主义中塔楼意象的语义和功能意义。选自19世纪90年代末至20世纪20年代初的一组诗歌,其中以攀登高塔的生命之路为主题的存在主义思想。通过自我回忆的网络连接,这组诗歌构成了布留索夫“塔文本”的核心。除此之外,诗人的“塔文本”还包括许多诗歌,其中发现了塔的建筑,动力和情感表达特征,作为描述诗人路径的细节。在布吕索夫的所有作品中,塔楼的景象以越来越强烈的形式重新出现。对白银时代俄罗斯诗歌中塔的象征意义的回顾表明,布吕索夫对这一形象的解释是独一无二的。这一意象与他诗歌世界的另外两大范畴——记忆和文化有机地联系在一起。总的来说,布吕索夫塔的象征意义可以追溯到巴别塔的神话学,但布吕索夫坚决地改变了这一象征的意义,使其成为他自己人生道路的象征。在白银时代的主要诗人中,只有瓦列里·布吕索夫(Valery Bryusov)认为,塔不仅是诗歌系统的表达手段之一,而且是个人身份的关键象征。攀上高塔是他的命运和使命,诗人以一种特有的悲喜交加的心情接受了这一使命。布留索夫对道路概念的解释的特点在于他的道路没有内在目的论,它是自给自足的。在布吕索夫的诗歌中,道路是意志的纯粹奋斗,拒绝任何目标作为限制:“在这个事物和表象的世界里/一切都在一声喊叫中告诉我,/你必须走!“我有责任,我有责任”,“我有责任,我有责任”,“我有责任,我有责任。”塔楼的具象可塑性和语义最充分地表达了这一路径的愿景。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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