La cofradía de las arañas. Mitos y ritos herméticos de las maestras textileras mapuches

IF 0.3 0 PHILOSOPHY

Aisthesis-Pratiche Linguaggi e Saperi dell Estetico Pub Date : 2017-12-15 DOI:10.7764/AISTH.62.8

Pedro Mege

引用次数: 0

Abstract

Analizamos material mitico central en la ideologia de las maestras textileras y los ritos de iniciacion al que son sometidas las aspirantes a maestras tejedoras mapuches. Tales mitos refieren a narrativas mitologicas fundacionales en relatos guardados por tejedoras consagradas, que explican las categoria basales sobre las que se construye su ideologia, ya que, el mito establece el marco contextual y practico tanto de los pasos performativos del ritual como del sistema categorial esencial que toda tejedora novata debe dominar. Las practicas de la iniciacion textil se recubren de una densa estetica basada en el diseno de la tela de las aranas y de las mujeres; en texturas, colores, iconos y pliegues, cargados con significados de los mitos y ritos en una visualidad integral.

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蜘蛛兄弟会。马普切纺织大师的神话和赫尔墨斯仪式

我们分析了纺织女教师意识形态中的神话材料，以及有抱负的马普切纺织女教师所接受的入会仪式。涉及这些邪说narrativas mitologicas基本叙述和墙壁的织布,说明对构建其ideologia基底类别,因为这个神话框架上下文和实用的步骤performativos系统作为仪式基本categorial编织机新秀都必须掌握。纺织入门的实践被一种密集的美学覆盖，这种美学基于蜘蛛和女性的织物设计;在纹理、颜色、图标和褶皱中，充满了神话和仪式的意义。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Aisthesis-Pratiche Linguaggi e Saperi dell Estetico PHILOSOPHY-

CiteScore

0.30

自引率

0.00%

发文量

审稿时长

40 weeks

期刊介绍： The choice of the name of the journal represents a farewell from the identification of aesthetics with hermeneutics and speculative philosophy of art. It also shows our strong commitment to the irreducibility of aesthetics to a mere psychological fact. The subtitle of the journal “practices, languages and knowledge concerning aesthetics” indicates the present, fertile pluralism of aesthetics. This is a pluralism of views and methods, often connected with the different ways in which contemporary arts and aesthetic abilities present and structure themselves. Also, it is a pluralism of thoughts and formulas, which induces to relativize the western tradition within which the discipline of aesthetics was born. Finally, it is a pluralism of epistemic landscapes, which also trespasses into the sphere of sensibility and art. These various, epistemic landscapes have recently experienced a revolutionary enlargement through the rise of some new or radically renewed disciplines (from neurosciences to anthropology, from cognitive sciences to psychobiology). Indeed, we conceive Aisthesis as a public space where those different approaches and disciplines can interact.