An Inspiring Object: A Wedding Uchikake Kimono from the Collection of the National Museum in Kraków and its Multiple Representations

Abstract

The article is concerned with a Japanese wedding uchikake kimono, c. 1800–1850, acquired by distinguished Polish collector Feliks ‘Manggha’ Jasieński in 1900, the nuanced issues surrounding its multiple representations in Polish painting and photography during the period 1900–1908, and the multifarious meanings with which the garment was imbued. The uchikake’s original features exerted a seminal formal influence upon its representations. The interpretive process was also informed by perceptions concerning the woman’s status in society and marriage in Japan and in the West, Western and Japanese artistic traditions, as well as current Japonisme in art and fashion. In each of its representations, the uchikake also conveyed personal meanings important to the artist/wearer.