Grounding Oneself at the Crossroads: Getting Home Alive by Aurora Levins Morales and Rosario Morales

IF 0.4 3区 文学 0 LANGUAGE & LINGUISTICS
Carmen Flys Junquera
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引用次数: 1

Abstract

This article analyzes the multiple dimensions of hybridity in Getting Home Alive (1986) by Puerto Rican Aurora Levins Morales and Rosario Morales. This revolutionary autobiography is experimental in both form and content, containing poems, stories, journals, reportage and so forth. It resists clear categorization as to genre, defies any one culture or language and presents a sense of place rooted in multiple places.  The voices of mother and daughter end up fusing into one, together with the voices of all their ancestors. The multiple sensitivities of both women, products of multidirectional migrations, ethnicities, cultures, languages and class are symbolized in grounding themselves at the crossroads, embracing a relational collective identity, wholeness and choice while rejecting fragmentation or alienation.
奥罗拉·列文·莫拉莱斯和罗萨里奥·莫拉莱斯的《在十字路口扎根:活着回家》
本文分析了波多黎各人奥罗拉·莱文斯·莫拉莱斯和罗萨里奥·莫拉莱斯的《活着回家》(1986)中混杂性的多个维度。这本革命性的自传在形式和内容上都是实验性的,包括诗歌、故事、日记、报告文学等等。它拒绝明确的类型分类,蔑视任何一种文化或语言,呈现出一种根植于多个地方的地方感。母亲和女儿的声音最终融合成一个,连同他们所有祖先的声音。她们是多向移民、种族、文化、语言和阶级的产物,她们的多重敏感性象征着她们站在十字路口,拥抱一种关系集体的身份、整体性和选择,同时拒绝分裂或异化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.80
自引率
0.00%
发文量
13
审稿时长
28 weeks
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