Prince Hal and Hamilton: becoming a leader in Shakespeare’s Henriad and Lin-Manuel Miranda’s musical

Q3 Arts and Humanities
Ana Ana Crespo Roca
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Abstract

The purpose of this article is to explore the similarities between the musical Hamilton and the Henriad. It shows how Miranda and Shakespeare use similar strategies to depict the evolution of characters that become leaders. Prince Hal and Hamilton have to combine political and martial abilities to attain power. Hal learns from his rival Hotspur to be braver in battle, while Hamilton learns from Burr to be more cautious. However, only Hal is successful in keeping himself in power by balancing both types of skills. Another parallelism shared by the plays is how they show the negative consequences of the actions of the leaders by incorporating the voices of other characters. A secondary objective of this piece of writing is to explore Shakespearean elements in contemporary pop culture. In that regard, this study contests the traditional negative view of pop culture that considers popular manifestations of Shakespeare as lesser versions of the originals.
哈尔王子和汉密尔顿:成为莎士比亚的亨利亚德和林-曼努埃尔米兰达音乐剧的领导者
本文的目的是探讨音乐剧《汉密尔顿》和《亨利亚德》之间的相似之处。它展示了米兰达和莎士比亚如何使用相似的策略来描绘成为领导者的人物的演变。哈尔王子和汉密尔顿必须结合政治和军事能力来获得权力。哈尔从他的对手霍茨波那里学到了在战斗中要更加勇敢,而汉密尔顿从伯尔那里学到了要更加谨慎。然而,只有哈尔成功地通过平衡这两种技能来保持自己的权力。这些戏剧的另一个相似之处是它们如何通过结合其他角色的声音来表现领导者行为的负面后果。这篇文章的第二个目的是探索当代流行文化中的莎士比亚元素。在这方面,这项研究挑战了流行文化的传统消极观点,认为莎士比亚的流行表现是原作的次要版本。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Acotaciones
Acotaciones Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.10
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15
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