FOLKLORE genres TREATMENT IN CYCLE FROM JEWISH FOLKLORE FOR VIOLIN, CELLO AND PIANO BY ZLATA TKACI

Irina Pleșcan
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引用次数: 0

Abstract

This article is dedicated to 4 pieces for violin, cello and piano From the Jewish folklore written by Zlata Tkaci. The cyclic composition is based on Jewish folk songs and dances from the collection of M. Beregovsky: Bejgele, Sar, Gas-nign, Lomir zix iberbetn. The author analyzes how the interpretation of musical expressive means which are being characteristic of Klezmer music (melody, rhythm, specific modes, polyphonic techniques, imitation of folk instruments) is transformed into individual composer’s concept, preserving the spirit of folklore sources. This problematics is researched for the first time in the national musicology
兹拉塔·特卡奇的《犹太小提琴、大提琴和钢琴的民间传说》中的民俗流派循环处理
这篇文章是献给Zlata Tkaci写的4首小提琴,大提琴和钢琴的民间传说。循环作曲是基于M. Beregovsky收集的犹太民歌和舞蹈:Bejgele, Sar, Gas-nign, Lomir zix iberbetn。作者分析了克莱兹默音乐中具有特色的音乐表现手段(旋律、节奏、特定调式、复调手法、对民间乐器的模仿)如何转化为作曲家个人的观念,并保留了民间文学的精神来源。这一问题在民族音乐学研究中尚属首次
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