Artist as teacher and model

IF 0.1 0 ART
R. Yeager
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Abstract

Abstract Being an artist is often an enigma to art students. They need a model who will demonstrate a way to navigate the world as an artist. We are that model. As art educators, we can help demystify the practice of being an artist and help our students understand it by offering ourselves as models and mentors. In this undertaking, we should be open with students about our own odysseys as artists. Especially the many failures and hardships we faced and overcame to succeed. This modelling of art practice is a form of ‘lending consciousness'. Developed by Russian psychologist Lev Vygotsky, this concept asserts the idea that development is a social or communal process as well as a pedagogical one. By creating a learning environment where we model, as well as instruct, we alter the traditional role we play in the classroom. When our teaching and art-making become intertwined, the students benefit greatly from a more engaged instructor, and it is more likely that they will see themselves as artists-in-training.
作为老师和模特的艺术家
对于艺术专业的学生来说,成为一名艺术家往往是个谜。他们需要一个模特来展示一种作为艺术家驾驭世界的方式。我们就是这样的榜样。作为艺术教育者,我们可以帮助揭开作为艺术家的实践的神秘面纱,并通过提供我们自己作为模特和导师来帮助我们的学生理解它。在这项工作中,我们应该向学生们开放我们作为艺术家的奥德赛。尤其是我们面对和克服了许多失败和困难才取得成功。这种对艺术实践的建模是一种“借贷意识”。这个概念是由俄罗斯心理学家列夫·维果茨基提出的,它认为发展既是一个教育过程,也是一个社会或公共过程。通过创造一个学习环境,我们既可以做榜样,也可以指导,我们改变了我们在课堂上扮演的传统角色。当我们的教学和艺术创作交织在一起时,学生们会从一个更投入的老师那里受益匪浅,他们更有可能把自己看作是训练中的艺术家。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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