Reflections On Mountaintop Mining As Industrial Heritage

IF 0.6 4区 艺术学 0 ARCHITECTURE
Stefania Staniscia, C. Yuill
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引用次数: 5

Abstract

Abstract:There is a growing interest worldwide in preserving and promoting industrial heritage as cultural landscape resources. This is proven by the increasing number of inscribed properties of this specific typology in the UNESCO World Heritage List. These sites' landscapes are sometimes the result of mining activities, and all of them are considered as "Cultural Landscapes," i.e., as the manifestations of the interaction between humankind and its natural environment over a clearly defined geo-cultural region. They are usually clusters of archaeological remains of large-scale mines, working sites, transport lines, and mining settlements.Thinking about what has been happening in the Appalachian region since the late 1960s with the practice of mountaintop mining (MTM)—one of the most common forms of coal mining in the Central Appalachian ecoregion—one might, paradoxically, suppose that the entire region could become a world heritage site as one of the most representative testimonies of the era that, according to Crutzen, we entered at the end of the eighteenth century: the Anthropocene era.This paper presents the case of MTM and its impacts on the landscape and explores the theoretical framework for its consideration as industrial heritage within the design disciplines.
关于山顶采矿作为工业遗产的思考
摘要:工业遗产作为文化景观资源的保护和推广日益受到世界各国的关注。联合国教科文组织《世界遗产名录》中这一特殊类型的遗产越来越多,证明了这一点。这些遗址的景观有时是采矿活动的结果,它们都被认为是“文化景观”,即在一个明确界定的地理文化区域内,人类与自然环境相互作用的表现。它们通常是大型矿山、工作地点、运输线路和采矿定居点的考古遗迹群。考虑到自20世纪60年代末以来,阿巴拉契亚地区的山顶采矿(MTM)——阿巴拉契亚中部生态地区最常见的煤矿开采形式之一——所发生的事情,人们可能会矛盾地认为,整个地区都可以成为世界遗产,作为一个最具代表性的时代的见证之一,根据克鲁岑的说法,我们在18世纪末进入了一个时代:人类世时代。本文介绍了MTM的案例及其对景观的影响,并探讨了在设计学科中将其视为工业遗产的理论框架。
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
0
期刊介绍: Change Over Time is a semiannual journal publishing original, peer-reviewed research papers and review articles on the history, theory, and praxis of conservation and the built environment. Each issue is dedicated to a particular theme as a method to promote critical discourse on contemporary conservation issues from multiple perspectives both within the field and across disciplines. Themes will be examined at all scales, from the global and regional to the microscopic and material. Past issues have addressed topics such as repair, adaptation, nostalgia, and interpretation and display.
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