Merasa Asing dan Salah Tempat: Fenomena Uncanny dalam Novel Rubber Karya Madelon Syekely Lulofs

Merasa Asing dan Salah Tempat, M. Lulofs
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Abstract

Life on plantations in the first half of the 20th century, which was autonomous, gave a great freedom to the planters. They worked on the plantations almost without any interferences from the colonial government in Batavia. Everything related to the plantation companies was the initiative and policy of the planters themselves. However, the difference between reality and what they dreamed of before when they were still in the Netherlands eventually led to various uncanny phenomena such as feeling alienated, odd, and displaced. This paper aimed to reveal these various phenomena in Rubber's novel by using Homi K. Bhabha's postcolonialism theory which drew inspiration from Freud's psychoanalytic theory of unheimlich. The method used was the close reading method with the poststructuralism assumption that the text did not convey what appeared to be said at first, what will be said, or what is expected to be said. For this reason, reading was carried out carefully and repeatedly on lingual units in the form of text or fragments in Rubber in order that every sign, ideas and statements had meanings.
20世纪上半叶的种植园生活是自治的,给了种植园主很大的自由。他们在种植园里工作,几乎没有受到巴达维亚殖民政府的任何干涉。与种植园公司有关的一切都是种植园主自己的倡议和政策。然而,当他们还在荷兰时,现实与他们之前的梦想之间的差异最终导致了各种不可思议的现象,如疏离感、奇怪感、流离失所感。本文旨在运用巴巴的后殖民主义理论,从弗洛伊德的unheimlich精神分析理论中汲取灵感,揭示Rubber小说中的这些不同现象。所使用的方法是细读法,后结构主义假设文本并没有传达最初出现的内容、将要说的内容或期望说的内容。因此,在橡胶语中,以文本或片段的形式对语言单位进行仔细和反复的阅读,以便使每个符号、想法和陈述都有意义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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