"Those rebellious Hollanders": The Changeling’s Double Dutch

IF 0.1 3区 社会学 0 LITERATURE, BRITISH ISLES
M. Hutchings
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引用次数: 0

Abstract

The Changeling (1622) fits neatly into a familiar anti-Spanish narrative, one so well established in criticism as to obscure the wider international picture. Early in the play a reference to England’s erstwhile ally against Spain is mentioned in passing, and no more is made of the Dutch naval victory over the Spanish in 1607. But this may have resonated in ways that complicated the play’s anti-Spanish sentiment. The enduring resonance of the contemporaneous Amboyna Massacre of 1623 suggests a more complicated reception of The Changeling than critics have allowed for. Even in 1622, when the play was most likely first performed, tensions with the Dutch were on the rise, and the apparent nostalgia for the Protestant alliance which the Treaty of London of 1604 had brought to an end was complicated by the emergence of an empire that would outstrip Spain’s and gradually replace it as England’s chief rival.
“那些叛逆的荷兰人”:换妖的双重荷兰语
《换妖记》(1622年)完全符合人们熟悉的反西班牙叙事,这种叙事在批评中如此根深蒂固,以至于掩盖了更广泛的国际图景。在戏剧的早期,提到了英国过去对抗西班牙的盟友,并没有再提到1607年荷兰海军对西班牙的胜利。但这可能在某种程度上引起了共鸣,使该剧的反西班牙情绪变得更加复杂。1623年发生在同一时期的安博伊纳大屠杀引起了持久的共鸣,这表明人们对《换灵》的接受比评论家们所认为的要复杂得多。即使是在1622年,也就是该剧最有可能首演的时候,与荷兰的紧张关系仍在加剧,对1604年《伦敦条约》终结的新教联盟的明显怀念,也因为一个即将超越西班牙并逐渐取代西班牙成为英格兰主要对手的帝国的出现而变得更加复杂。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.40
自引率
0.00%
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0
期刊介绍: SEDERI, Yearbook of the Spanish and Portuguese Society for English Renaissance Studies, is an annual open-access publication devoted to current criticism and scholarship on English Renaissance Studies. It is peer-reviewed by external referees, following a double-blind policy.
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