Zimdancehall and the Peace crisis in Zimbabwe

Ushehwedu Kufakurinani, Wesley Mwatwara
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引用次数: 6

Abstract

Zimbabwe has recently been facing serious challenges and threats to its peace and security as a result of deepening economic crisis. Civilians have taken to the streets and the first half of 2016 was characterized by protests. The crisis has its roots deeper in Zimbabwe’s postcolonial history, escalating with the adoption of a controversial land reform program in 2000. From hyper-inflation in 2008, the nation turned to a serious liquidity crunch within eight years. The situation has not been helped by growing unemployment, informalization of the economy, and a polarized political landscape. The population has thus been exposed to both structural and system violence. In addition to macro violence, there are growing youth subcultures that feed into violence in Zimbabwe. One notable example is Zimdancehall, which has become a major artistic and musical phenomenon in the country. This article examines the way Zimdancehall adds another layer of violence to Zimbabwe. In particular, we focus on the micro aspect of Zimdancehall violence and the missed opportunity for this music genre to become an instrument for peacebuilding.
津丹斯霍尔和津巴布韦的和平危机
由于经济危机的加深,津巴布韦最近面临着严重的挑战和对其和平与安全的威胁。平民走上街头,2016年上半年的特点是抗议活动。这场危机在津巴布韦的后殖民历史中有着更深的根源,随着2000年通过一项有争议的土地改革计划而升级。从2008年的恶性通货膨胀,这个国家在八年内转向了严重的流动性紧缩。失业率的上升、经济的非正式化和政治格局的两极化都无助于改善这种情况。因此,民众面临着结构性和体制性暴力。除了宏观暴力,越来越多的青年亚文化助长了津巴布韦的暴力。一个值得注意的例子是Zimdancehall,它已经成为该国主要的艺术和音乐现象。这篇文章探讨了Zimdancehall如何给津巴布韦增加了另一层暴力。我们特别关注Zimdancehall暴力的微观方面,以及这种音乐类型成为和平建设工具的错失机会。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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