Before a New Architecture: Frederick Etchells and the Emergence of Architectural Modernity in Britain, from W.R. Lethaby to Le Corbusier

IF 0.1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
Sean Ketteringham
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引用次数: 0

Abstract

This article addresses the ways in which the writings of Le Corbusier interacted with modernist architectural thought in Britain. It focusses on Frederick Etchells, who translated Vers une architecture in 1927, and analyses key influences upon his intellectual development and approach to design, namely Roger Fry, Wyndham Lewis, W.R. Lethaby, Christopher Hussey, and John Rodker. It suggests that dedicated study of Etchells as a connective figure in this network aids our understanding of modernism's fraught integration into British culture; that architectural ideas are central to vorticism's engagement with the artist's relationship to society; and that Fry and Lewis deserve recognition for establishing a mature conception of architectural modernity in Britain, alongside Le Corbusier.
在新建筑之前:弗雷德里克·埃切尔斯和英国现代建筑的出现,从W.R. Lethaby到勒·柯布西耶
本文探讨了勒·柯布西耶的作品与英国现代主义建筑思想的互动方式。本书聚焦于1927年翻译了verune建筑的Frederick Etchells,并分析了对他的智力发展和设计方法的关键影响,即Roger Fry, Wyndham Lewis, W.R. Lethaby, Christopher Hussey和John Rodker。它表明,专门研究埃切尔斯作为这个网络中的一个联系人物,有助于我们理解现代主义与英国文化的融合;建筑理念是漩涡主义参与艺术家与社会关系的核心;弗莱和刘易斯与勒·柯布西耶一起在英国建立了成熟的现代建筑概念,值得认可。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Modernist Cultures
Modernist Cultures HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.20
自引率
0.00%
发文量
19
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