{"title":"Corto Maltese, Counterculture Hero: A Unifying Figure for Francesco Guccini and Fabrizio De André’s Revolutionary Visions","authors":"Julianne Vanwagenen","doi":"10.5406/23256672.99.2.04","DOIUrl":null,"url":null,"abstract":"\n Hugo Pratt's late-1960s comic Ballad of the Salt Sea saw the creation of the sailor-pirate Corto Maltese, a new sort of hero for a new generation. This article examines the heroism of Corto, as it is, at once, idealist and utopian and, at the same time, cynical and anarchical. It reads Ballad of the Salt Sea in conversation with songs by two contemporary voices of the counterculture in Italy: Francesco Guccini and Fabrizio De André. The article looks at how the cantautori's musical releases between the late 1960s and early 1970s promote a sociopolitical line of thought that is very much in line with Corto's own and thus how, when read together, Pratt's, Guccini's, and De André’s cultural productions help elucidate the complex nature of the revolutionary generation in Italy.","PeriodicalId":29826,"journal":{"name":"Italica Belgradensia","volume":"1 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Italica Belgradensia","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5406/23256672.99.2.04","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LANGUAGE & LINGUISTICS","Score":null,"Total":0}
引用次数: 0
Abstract
Hugo Pratt's late-1960s comic Ballad of the Salt Sea saw the creation of the sailor-pirate Corto Maltese, a new sort of hero for a new generation. This article examines the heroism of Corto, as it is, at once, idealist and utopian and, at the same time, cynical and anarchical. It reads Ballad of the Salt Sea in conversation with songs by two contemporary voices of the counterculture in Italy: Francesco Guccini and Fabrizio De André. The article looks at how the cantautori's musical releases between the late 1960s and early 1970s promote a sociopolitical line of thought that is very much in line with Corto's own and thus how, when read together, Pratt's, Guccini's, and De André’s cultural productions help elucidate the complex nature of the revolutionary generation in Italy.
雨果·普拉特(Hugo Pratt)在20世纪60年代后期的喜剧《盐海歌谣》(Ballad of the Salt Sea)中创造了水手海盗Corto Maltese,他是新一代的新英雄。这篇文章考察了柯尔托的英雄主义,因为它既是理想主义的、乌托邦的,同时又是愤世嫉俗的、无政府主义的。它朗读《盐海歌谣》,与当代意大利反主流文化之声弗朗西斯科·古奇尼(Francesco gucini)和法布里齐奥·德·安德烈(Fabrizio De andr)的歌曲对话。这篇文章着眼于在20世纪60年代末到70年代初,cantautori的音乐发行如何促进了一种与Corto自己非常一致的社会政治思想路线,因此,当我们一起阅读普拉特、古奇尼和德安德罗埃尔的文化作品时,他们如何帮助阐明了意大利革命一代的复杂本质。