How Do Technological Systems Define Who War Victims Are?

Q1 Arts and Humanities
María Belén Albornoz, J. A. J. Becerra
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引用次数: 0

Abstract

Abstract In a range of peace process scenarios, the expert’s knowledge has become a fundamental tool for generating information systems as a mechanism for the storage and circulation of data. These information artifacts are supposed to faithfully document situations of human rights violations and contribute to the design of public policy and the construction of collective memory. Following Latour’s (1993) original coinage of the term coproduction, this paper analyzes how the Inter-Institutional System of Information for Justice and Peace (SIIJYP)1 was designed to define victims of war and means of reparation from the State in Colombia. From an actor network theory perspective, we explain how victimizers become the main beneficiaries of the application of the SIIJYP. To comprehend this unintended social impact of the technological artifact and how it becomes an artifact that functions as an aseptic mediator of the historical-judicial truth, and the policy of transitional justice, we examine the relations between human and nonhuman actors, how information is collected, organized, hierarchized, and negotiated, as well as the consequences of the technical and legal construction of the notion of victims of war.
技术系统如何定义谁是战争受害者?
在一系列和平进程情景中,专家的知识已成为生成信息系统的基本工具,作为数据存储和流通的机制。这些信息制品应该忠实地记录侵犯人权的情况,并有助于制定公共政策和构建集体记忆。根据Latour(1993)最初创造的术语“合作生产”,本文分析了如何设计“促进正义与和平的机构间信息系统”(SIIJYP)来定义哥伦比亚的战争受害者和国家赔偿手段。从行动者网络理论的角度,我们解释了施暴者如何成为SIIJYP应用的主要受益者。为了理解技术产物的这种意想不到的社会影响,以及它如何成为一个作为历史司法真相和过渡司法政策的无菌调解人的产物,我们研究了人类和非人类行动者之间的关系,如何收集、组织、分层和谈判信息,以及战争受害者概念的技术和法律建构的后果。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Perspectives on Science
Perspectives on Science Arts and Humanities-History and Philosophy of Science
CiteScore
1.70
自引率
0.00%
发文量
48
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