A Qualitative Heuristic Inquiry into the Development of Therapeutic Presence as a Student Music Therapist

Niall Mc Guigan
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Abstract

This first-person study investigates the role of cognitive and embodied forms of knowledge in relation to the development of therapeutic presence as a student music therapist. In this paper, I will provide an introduction to the topic reviewing its relevance to the practice of music therapy, and I will argue that the development of therapeutic presence is a fundamental part of becoming a music therapist.  Although there are seminal articles in the music therapy literature that discuss the topic of therapeutic presence, I have not found any articles relating it to the development of being a student music therapist. Using heuristic methodology, I will describe the personal process of developing therapeutic presence as a student music therapist. To gain a broader perspective on the research topic, and to provide validation and transparency in relation to my personal heuristic process, three successive theoretical and experiential workshops were carried out with six student music therapists. Data, in the form of questionnaires, reflections and group musical improvisations were analysed systematically to validate my experience of the research topic, and also to discover and evaluate themes and practical methods. The research has culminated in the synthesis of data gathered during the study in relation to the main research question while also reviewing its relevance to music therapy practice and implications for further study.
学生音乐治疗师治疗性临在发展的质性启发式探究
这个第一人称研究调查了认知和具体形式的知识在作为学生音乐治疗师的治疗存在发展中的作用。在本文中,我将介绍该主题,回顾其与音乐治疗实践的相关性,并认为治疗存在的发展是成为音乐治疗师的基本部分。虽然在音乐治疗文献中有一些开创性的文章讨论了治疗存在的主题,但我还没有发现任何与学生音乐治疗师的发展有关的文章。使用启发式方法,我将描述作为学生音乐治疗师发展治疗存在的个人过程。为了获得对研究主题更广阔的视角,并提供与我个人启发式过程相关的验证和透明度,与六名学生音乐治疗师一起进行了三次连续的理论和经验研讨会。系统地分析了问卷调查、反思和集体音乐即兴表演等形式的数据,以验证我对研究课题的经验,并发现和评估主题和实践方法。本研究总结了在研究期间收集的与主要研究问题相关的数据,同时也回顾了其与音乐治疗实践的相关性以及对进一步研究的影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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